ОДНОС МУЗИЧАРА ПРЕМА КОНЦЕРТНИМ АКТИВНОСТИМА У ПРВОЈ ГОДИНИ ПАНДЕМИЈЕ: БЕОГРАДСКИ КОНТЕКСТ.
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- Muzikologija, 2021, n. 31, p. 231, doi. 10.2298/MUZ2131231M
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Works matching IS 14509814 AND DT 2021
Results: 19
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ÉCOUTANT LA MUSIQUE DE PAN: О ОНТОЛОШКОМ ПОТЕНЦИЈАЛУ ʻПАУЗЕ’ У ДЕБИСИЈЕВОМ ДЕЛУ СИРИНКС.
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- Muzikologija, 2021, n. 31, p. 213, doi. 10.2298/MUZ2131213T
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ЧАСОПИС „ГУСЛЕ“ (1911–1914) У ИСТОРИЈИ СРПСКЕ МУЗИЧКЕ ПЕРИОДИКЕ.
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- Muzikologija, 2021, n. 31, p. 181, doi. 10.2298/MUZ2131181V
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J. S. BACH’S KEYBOARD WORKS: FROM PERFORMANCE TO RESEARCH.
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- Muzikologija, 2021, n. 31, p. 161, doi. 10.2298/MUZ2131161K
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HISTORICAL APPROACH TO THE OPERA’S LIBRETTO-THEME IN ITALY FROM THE END OF THE 16TH CENTURY TO THE FIRST ITALIAN REFORM.
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- Muzikologija, 2021, n. 31, p. 145, doi. 10.2298/MUZ2131145T
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ПАТРИЈАРШИЈСКИ ИФОС У ПЕРЦЕПЦИЈИ ЈЕЛИНСКИХ ПОЈАЦА.
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- Muzikologija, 2021, n. 31, p. 129, doi. 10.2298/MUZ2131129P
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МУЗИЧКОТЕОРИЈСКИ НАПИСИ ВЛАСТИМИРА ТРАЈКОВИЋА У СВЕТЛУ ЗАЛАГАЊА ЗА НОВО ВРЕДНОВАЊЕ СРПСКЕ УМЕТНИЧКЕ МУЗИКЕ.
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- Muzikologija, 2021, n. 31, p. 95, doi. 10.2298/MUZ2131095J
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КОМПОЗИТОР И ЊЕГОВИ КРИТИЧАРИ: РЕЦЕПЦИЈА СТВАРАЛАШТВА СТАНОЈЛА РАЈИЧИЋА У СВЕТЛУ ПРЕЛОМНИХ ДОГАЂАЈА ЗА РАЗВОЈ СРПСКЕ МУЗИКЕ У XX ВЕКУ.
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- Muzikologija, 2021, n. 31, p. 59, doi. 10.2298/MUZ2131059B
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THE THREE SEASONS – PRAGUE SPRING, WORLD YOUTH SUMMER, AND ‘SOFIA AUTUMN,’ OR: THE ANTI-EVENT, THE AVANT-GARDE, AND THE BEGINNING OF BULGARIA’S NEW FOLKLORE WAVE.
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- Muzikologija, 2021, n. 31, p. 49, doi. 10.2298/MUZ2131049B
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BORIS ASAFIEV AS A STRAVINSKY SCHOLAR.
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- Muzikologija, 2021, n. 31, p. 37, doi. 10.2298/MUZ2131037S
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‘CRISP AS A CREAM-CRACKER’: NIKOLAI ORLOFF AND BRITISH MUSICAL JOURNALISM IN MEMORY OF STUART CAMPBELL.
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- Muzikologija, 2021, n. 31, p. 15, doi. 10.2298/MUZ2131015H
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GENDER PERSPECTIVES OF INSTRUMENTAL JAZZ PERFORMERS IN SOUTHEASTERN EUROPE.
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- Muzikologija, 2021, n. 30, p. 149, doi. 10.2298/MUZ2130149J
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WAYS OF LIVING ABROAD: THE FOREIGN COMPOSER IN BRITAIN AFTER WORLD WAR II.
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- Muzikologija, 2021, n. 30, p. 135, doi. 10.2298/MUZ2130135M
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A SICK GENIUS? THE CRITICAL RECEPTION OF ALEXEI STANCHINSKY.
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- Muzikologija, 2021, n. 30, p. 19, doi. 10.2298/MUZ2130019S
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STUART CAMPBELL: BIBLIOGRAPHY.
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- Muzikologija, 2021, n. 30, p. 96
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16
THE RUSSIAN PARIS OF SERGEI RACHMANINOFF.
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- Muzikologija, 2021, n. 30, p. 75, doi. 10.2298/MUZ2130075C
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BORIS ASAFIEV AND SOVIET MUSICAL THOUGHT: REPUTATION AND INFLUENCE.
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- Muzikologija, 2021, n. 30, p. 57, doi. 10.2298/MUZ2130057E
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18
Russian Dresden of the 1920s and 1930s: profiles of musical, church and social life.
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- Muzikologija, 2021, n. 30, p. 35, doi. 10.2298/MUZ2130035Z
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CONTRIBUTION OF THE YUGOSLAV SOKOL ORGANIZATIONS TO THE INTERWAR SPHERE OF MUSIC.
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- Muzikologija, 2021, n. 30, p. 107, doi. 10.2298/MUZ2130107V
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