АНГАЖМАН У МУЗИЧКОЈ КРИТИЦИ: НАПИСИ ПАВЛА СТЕФАНОВИЋА У МУЗИЧКОМ ГЛАСНИКУ (1938-1940)
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- Muzikologija, 2019, n. 27, p. 203, doi. 10.2298/MUZ1927203V
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Works matching IS 14509814 AND DT 2019
Results: 24
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О САКРАЛНОМ ЗНАЧЕЊУ МУЗИЧКОГ ИНСТРУМЕНТА И УЛОЗИ ПРОРОКА ДАВИДА У СЦЕНИ СМРТ ПРАВЕДНИКА. ПРИЛОГ ПРОУЧАВАЊУ ЛИКОВНИХ ПРЕДСТАВА МУЗИЧКИХ ИНСТРУМЕНАТА У ИСТОЧНОХРИШЋАНСКОЈ ЦРКВЕНОЈ УМЕТНОСТИ
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- Muzikologija, 2019, n. 27, p. 277, doi. 10.2298/MUZ1927277G
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FROM GREAT EXPECTATIONS TO GREAT DISAPPOINTMENTS: PETAR KRSTIĆ’S CONTRIBUTION TO THE PROCESS OF REFORMS OF MUSIC EDUCATION IN INTERWAR YUGOSLAVIA (1918-1921).
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- Muzikologija, 2019, n. 27, p. 253, doi. 10.2298/MUZ1927253V
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MOKRANJAC ON REPEAT: REAFFIRMING MUSICAL CANON THROUGH SOUND RECORDINGS (PGP-RTB/RTS DISCOGRAPHY).
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- Muzikologija, 2019, n. 27, p. 221, doi. 10.2298/MUZ1927221M
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THE “SERBIAN CONNECTION” IN THE AGE OF THE BEAT REVOLUTION IN HUNGARY.
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- Muzikologija, 2019, n. 27, p. 187, doi. 10.2298/Muz1927187s
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BEYOND NATIONS: A THEMATIC HISTORY.
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- Muzikologija, 2019, n. 27, p. 163, doi. 10.2298/MUZ1927163F
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THE TRANSMISSION OF MOTETS WITHIN THE PASTON MANUSCRIPTS, C.1610.
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- Muzikologija, 2019, n. 27, p. 137, doi. 10.2298/MUZ1927137K
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ANCIENT GREEK RHYTHMS IN MESSIAEN’S LE SACRE: NIETZSCHE’S LEGACY?
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- Muzikologija, 2019, n. 27, p. 97, doi. 10.2298/MUZ1927097C
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A MUSIC HISTORY WITH LOVE? THE HITS, THE CULTS, AND THE SNOBS.
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- Muzikologija, 2019, n. 27, p. 71, doi. 10.2298/MUZ1927071F
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TAKING THE PROVINCES SERIOUSLY.
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- Muzikologija, 2019, n. 27, p. 51, doi. 10.2298/MUZ1927051E
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THE MANY FACES OF EVERYDAY MUSICAL LIFE. APPROACHING MUSIC HISTORY FROM “BELOW”.
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- Muzikologija, 2019, n. 27, p. 31, doi. 10.2298/MUZ1927031L
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THE BALZAN MUSICOLOGY PROJECT TOWARDS A GLOBAL HISTORY OF MUSIC, THE STUDY OF GLOBAL MODERNISATION, AND OPEN QUESTIONS FOR THE FUTURE.
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- Muzikologija, 2019, n. 27, p. 15, doi. 10.2298/MUZ1927015S
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ONTOLOGICAL HERMENEUTICS AS A CATALYST OF MUSICOLOGICAL DISCOURSE: A FEW SKETCHES.
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- Muzikologija, 2019, n. 26, p. 183, doi. 10.2298/MUZ1926183R
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КОМПОЗИТОР РЕВОЛУЦИЈЕ: СКРЈАБИНОВА ЗАМИСАО МИСТЕРИЈУМА - ТОТАЛНОГ УМЕТНИЧКОГ ДЕЛА
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- Muzikologija, 2019, n. 26, p. 161, doi. 10.2298/MUZ1926161T
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SILENTIUM EST AURUM: ОДНОС ТИШИНЕ И ЗВУКА У ФИЛМУ НА ПРИМЕРУ ФИЛМОВА САМУРАЈ(LE SAMOURAÏ, 1967), ГОЈИНЕ УТВАРЕ (GOYA'S GHOSTS, 2006), УМЕТНИК (THE ARTIST, 2011) И ЧИНОВИ ОСВЕТЕ (ACTS OF VENGEANCE, 2017)
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- Muzikologija, 2019, n. 26, p. 143, doi. 10.2298/MUZ1926143N
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THEORIES ON SOCIALIST REALISM AND SOCIALIST MUSIC CULTURE IN THE 1960S IN HUNGARY.
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- Muzikologija, 2019, n. 26, p. 125, doi. 10.2298/MUZ1926125R
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ON THE FUTURE OF MUSIC HISTORY IN PROFESSIONAL AND CENTRAL-PERIPHERAL EUROPEAN MUSICAL CIRCUMSTANCES.
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- Muzikologija, 2019, n. 26, p. 115, doi. 10.2298/MUZ1926115V
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A NATIONAL PERSPECTIVE AND INTERNATIONAL THREADS TO POSTMODERNISM AT THE FIFTH HELLENIC WEEK OF CONTEMPORARY MUSIC.
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- Muzikologija, 2019, n. 26, p. 107, doi. 10.2298/MUZ1926107C
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POST-FACTUAL MUSIC HISTORIOGRAPHY: LEGENDS OF ART-RELIGION.
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- Muzikologija, 2019, n. 26, p. 91, doi. 10.2298/MUZ1926091L
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BALTIC MUSICOLOGICAL CONFERENCES: NATIONAL MUSIC HISTORIOGRAPHIES AND TRANSNATIONALISM.
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- Muzikologija, 2019, n. 26, p. 75, doi. 10.2298/MUZ1926075S
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MUSIC HALL: REGULATIONS AND BEHAVIOUR IN A BRITISH CULTURAL INSTITUTION.
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- Muzikologija, 2019, n. 26, p. 61, doi. 10.2298/MUZ1926061S
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NEW DATA, NEW METHODS? SOURCES ON LADIES' SALON ORCHESTRAS IN EUROPE, 1870-1918.
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- Muzikologija, 2019, n. 26, p. 41, doi. 10.2298/MUZ1926041K
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PHENOMENON OF THE BALTIC SINGING REVOLUTION IN 1987-1991:THREE LATVIAN SONGS AS HISTORICALSYMBOLS OF NON-VIOLENT RESISTANCE.
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- Muzikologija, 2019, n. 26, p. 27, doi. 10.2298/MUZ1926027K
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MUSIC HISTORY AND THE HISTORICIST IMAGINATION: REVISITING CARL DAHLHAUS AND LEO TREITLER.
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- Muzikologija, 2019, n. 26, p. 15, doi. 10.2298/muz1926015c
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