UNIVERSAL ORGANISING PRINCIPLES OF MUSIC AND FAIRY TALES.
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- Muzikologija, 2018, n. 25, p. 207, doi. 10.2298/MUZ1825207I
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- Publication type:
- Article
Works matching IS 14509814 AND DT 2018
Results: 23
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THE COMPASS REVISITED: REWRITING HISTORIES OF MUSIC IN THE SOUTH.
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- Muzikologija, 2018, n. 25, p. 199, doi. 10.2298/MUZ1825199M
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- Article
3
CONTEMPORARY URBAN FOLK MUSIC IN THE BALKANS: POSSIBILITIES FOR REGIONAL MUSIC HISTORY.
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- Muzikologija, 2018, n. 25, p. 91, doi. 10.2298/MUZ1825091D
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- Article
4
POSSIBLE IMPLEMENTATION OF HEINRICH CHRISTOPH KOCH’S ANALYTICAL TERMINOLOGY IN CONTEMPORARY ANALYTICAL PRACTICE.
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- Muzikologija, 2018, n. 25, p. 159, doi. 10.2298/muz1825159v
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- Article
5
THE TRIESTE PHILHARMONIC IN SERBIA.
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- Muzikologija, 2018, n. 25, p. 135, doi. 10.2298/MUZ1825135S
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- Article
6
МИЛОШЕВА ЖЕНИДБА И СМРТ: ОД ВИЛИНОГ ВЕЛА ДО ОТАЏБИНЕ ПЕТРА КОЊОВИЋА: 135 ГОДИНА ОД КОМПОЗИТОРОВОГ РОЂЕЊА У СУСРЕТ 630. ГОДИШЊИЦИ КОСОВСКЕ БИТКЕ
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- Muzikologija, 2018, n. 25, p. 119, doi. 10.2298/MUZ1825119M
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7
ПИЈАНИСТИЧКИ РЕПЕРТОАР КОРНЕЛИЈА СТАНКОВИЋА - ИЗМЕЂУ ЕВРОПСКЕ ПРАКСЕ И НАЦИОНАЛНЕ ИДЕОЛОГИЈЕ
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- Muzikologija, 2018, n. 25, p. 103, doi. 10.2298/MUZ1825103K
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- Publication type:
- Article
8
THE POLITICIZATION OF MUSIC DURING THE PERIOD OF TOTALITARIAN RULE IN BULGARIA (1944 - 1989).
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- Muzikologija, 2018, n. 25, p. 179, doi. 10.2298/MUZ1825179D
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- Article
9
VOICES FROM THE BEGINNING: THE EARLY PHASE OF MUSICAL HISTORIOGRAPHY IN SERBIA.
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- Muzikologija, 2018, n. 25, p. 77, doi. 10.2298/MUZ1825077P
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- Article
10
THE DOMINANT CURRENTS IN THE RESEARCH OF MUSIC IN SERBIA: AN OVERVIEW OF THE INSTITUTE OF MUSICOLOGY SAS’S EARLY HISTORY (1947-1965).
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- Muzikologija, 2018, n. 25, p. 49, doi. 10.2298/muz1825049v
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- Article
11
ДОПРИНОС ПЕТРА КОЊОВИЋА КОНСТИТУИСАЊУ И ПОЧЕЦИМА РАДА МУЗИКОЛОШКОГ ИНСТИТУТА СРПСКЕ АКАДЕМИЈЕ НАУКА И УМЕТНОСТИ
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- Muzikologija, 2018, n. 25, p. 15, doi. 10.2298/MUZ1825015M
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- Publication type:
- Article
12
ТРАГОМ ЗАПИСА ТЕОФИЛАКТА СИМОКАТЕ.
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- Muzikologija, 2018, n. 24, p. 173, doi. 10.2298/MUZ1824173D
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- Article
13
СЕСТРЕ ЈАНКОВИЋИЛАБАНОВА КИНЕТОГРАФИЈА.
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- Muzikologija, 2018, n. 24, p. 151, doi. 10.2298/MUZ1824151R
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14
СТАТУС ОПЕРСКОГ УМЕТНИКА У НАРОДНОМ ПОЗОРИШТУ У БЕОГРАДУ ОД 1970. ДО 1980. ГОДИНЕ
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- Muzikologija, 2018, n. 24, p. 131, doi. 10.2298/MUZ1824131S
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- Article
15
MUSINGS ON QUANTUM MUSIC: CAN QUANTUM MUSIC BRING US CLOSER TO OBJECTIVE BEAUTY?
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- Muzikologija, 2018, n. 24, p. 123, doi. 10.2298/MUZ1824123M
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- Article
16
HYBRID DUO.
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- Muzikologija, 2018, n. 24, p. 111, doi. 10.2298/MUZ1824111L
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- Article
17
SYNTHESIS AND ANALYSIS OF SOUNDS DEVELOPED FROM THE BOSE-EINSTEIN CONDENSATE: THEORY AND EXPERIMENTAL RESULTS.
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- Muzikologija, 2018, n. 24, p. 95, doi. 10.2298/MUZ1824095N
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- Article
18
WHAT DOES QUANTUM MUSIC SOUND LIKE AND WHAT WOULD PIERRE BOULEZ THINK OF IT?: SUPER POSITION (MANY WORLDS) BY KIM HELWEG (2017).
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- Muzikologija, 2018, n. 24, p. 79, doi. 10.2298/MUZ1824079M
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- Article
19
COMPOSING WITH QUANTUM INFORMATION: ASPECTS OF QUANTUM MUSIC IN THEORY AND PRACTICE.
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- Muzikologija, 2018, n. 24, p. 61, doi. 10.2298/MUZ1824061H
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- Article
20
THE QUANTUM VIBES OF ATOMS AND ICHTHYOSAURS.
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- Muzikologija, 2018, n. 24, p. 51, doi. 10.2298/MUZ1824051M
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- Publication type:
- Article
21
THE MUSICAL MACH-ZEHNDER INTERFEROMETER.
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- Muzikologija, 2018, n. 24, p. 39, doi. 10.2298/MUZ1824039G
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- Article
22
PROGRAMMING GATE-BASED HARDWARE QUANTUM COMPUTERS FOR MUSIC.
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- Muzikologija, 2018, n. 24, p. 21, doi. 10.2298/MUZ1824021K
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23
CAN WE HEAR THE SOUNDS OF QUANTUM SUPERPOSITIONS?
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- Muzikologija, 2018, n. 24, p. 15, doi. 10.2298/MUZ1824015V
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- Publication type:
- Article