DROPLETS ОF DEW: THE MUSIC ОF VERA STANOJEVIĆ.
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- Muzikologija, 2017, n. 23, p. 259, doi. 10.2298/MUZ1723257O
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Works matching IS 14509814 AND DT 2017
Results: 24
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ТРАГ МУЗИКЕ УРЕЗАН У ВОСКУ: КОЛЕКЦИЈА ФОНОГРАФСКИХ СНИМАКА ИЗ МУЗИКОЛОШКОГ ИНСТИТУТА САНУ
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- Muzikologija, 2017, n. 23, p. 239, doi. 10.2298/MUZ1723237L
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МУЗИЧКИ СВЕТ ИВАНА ЈЕВТИЋА У ПРЕВИРАЊУ ИЗМЕЂУ ТРАДИЦИОНАЛНОГ И НОВОГ УМЕТНИЧКОГ ИЗРАЗА. ТЕНДЕНЦИЈЕ ПРОМЕНА НА ПРИМЕРУ ИЗАБРАНИХ ДЕЛА КОНЦЕРТАНТНОГ ЖАНРА
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- Muzikologija, 2017, n. 23, p. 219, doi. 10.2298/MUZ1723217N
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4
УОБЛИЧАВАЊЕ НАЦИОНАЛНОГ ПАМЋЕЊА: ПОЧЕЦИ МЕМОРИСАЊА СТЕВАНА СТОЈАНОВИЋА МОКРАЊЦА У СРПСКОЈ МУЗИЦИ (1919-1923)
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- Muzikologija, 2017, n. 23, p. 199, doi. 10.2298/MUZ1723199M
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5
REFLECTIONS ON A ‘SHOP' MELODIC MODEL IN WEDDING AND ST GEORGE’S DAY SONGS FROM EASTERN AND CENTRAL SERBIA.
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- Muzikologija, 2017, n. 23, p. 175, doi. 10.2298/MUZ1723175J
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О ПЕВНИЧКОМ ПРОСТОРУ И ХИМНАМА КОЈЕ СУ У ЊЕМУ ПОЈАНЕ. У ТРАГАЊУ ЗА ПОЈАЧКО-ГРАДИТЕЉСКИМ ВЕЗАМА У СРЕДЊЕМ ВЕКУ
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- Muzikologija, 2017, n. 23, p. 145, doi. 10.2298/MUZ1723145P
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THE EARLY PRAGUE SPRING: ANALYSING THE RE-ESTABLISHMENT OF MODERNIST ASPECTS ACCORDING TO THE EXAMPLE OF THREE PIANO CONCERTOS BY THE “PRAGUE GROUP” OF COMPOSERS.
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- Muzikologija, 2017, n. 23, p. 127, doi. 10.2298/MUZ1723127G
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“MUSIC FOR MILLIONS”. JÁNOS MARÓTHY AND ACADEMIC RESEARCH ON POPULAR MUSIC IN SOCIALIST HUNGARY.
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- Muzikologija, 2017, n. 23, p. 117, doi. 10.2298/MUZ1723117I
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9
DR. NELE KARAJLIĆ IN THE FRAMEWORK OF THE “NEW PRIMITIVES”.
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- Muzikologija, 2017, n. 23, p. 99, doi. 10.2298/MUZ1723099V
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- Article
10
THE NON-ALIGNED HUMANISM OF RUDOLF BRUČI: THE COMPOSER AND THE SOCIETY OF SELF-MANAGEMENT SOCIALISM.
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- Muzikologija, 2017, n. 23, p. 83, doi. 10.2298/MUZ1723083S
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11
COMMUNIST IDEOLOGY AND ACADEMIC EDUCATION. A CASE STUDY: WORLD MUSIC HISTORY AS A SUBJECT IN ROMANIAN UNIVERSITIES, 1948-2014.
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- Muzikologija, 2017, n. 23, p. 59, doi. 10.2298/MUZ1723059S
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12
AFTER ZERO HOUR: STATES AS “CUSTODIANS OF UNIVERSAL HUMAN CULTURE,” OR “GUARDIANS OF ADVANCED ART”.
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- Muzikologija, 2017, n. 23, p. 41, doi. 10.2298/MUZ1723041M
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13
PROKOFIEV'S SEVENTH SYMPHONY AND ITS ТWO ЕNDINGS: А STUDY OF “IMPOSED” REVISIONS.
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- Muzikologija, 2017, n. 23, p. 31, doi. 10.2298/MUZ1723031P
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14
WHAT, HOW, AND WHY IN SERBIAN MUSIC AFTER THE SECOND WORLD WAR, IN THE LIGHT OF IDEOLOGICAL-POLITICAL UPHEAVALS.
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- Muzikologija, 2017, n. 23, p. 16, doi. 10.2298/MUZ1723015V
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15
МОКРАЊАЦ У ДЕЛИМА НАСЛЕДНИКА - ОД ЦИТАТНЕ ИМИТАЦИЈЕ ДО ЦИТАТНЕ ПОЛЕМИКЕ
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- Muzikologija, 2017, n. 22, p. 199, doi. 10.2298/MUZ1722199B
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16
OFFICIAL REGULATIONS AND PERCEPTUAL ASPECTS OF BELL RINGING.
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- Muzikologija, 2017, n. 22, p. 59, doi. 10.2298/MUZ1722059K
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17
DRAGUTIN GOSTUŠKI AND THE SEMIOTICS OF MUSIC.
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- Muzikologija, 2017, n. 22, p. 177, doi. 10.2298/MUZ1722177T
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18
FUNDING FESTIVALS: BRINGING THE WORLD TO SARAJEVO.
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- Muzikologija, 2017, n. 22, p. 133, doi. 10.2298/MUZ1722133H
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19
ACOUSTIC VESSELS AS AN EXPRESSION OF MEDIEVAL MUSIC TRADITION IN SERBIAN SACRED ARCHITECTURE.
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- Muzikologija, 2017, n. 22, p. 105, doi. 10.2298/MUZ1722105D
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20
SONIC MEMORY INTERVENTIONS AGAINST POLITICS OF URBAN SILENCING.
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- Muzikologija, 2017, n. 22, p. 89, doi. 10.2298/MUZ1722089H
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21
How Music Affects Soundscape: Musical Preferences in Skadarlija.
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- Muzikologija, 2017, n. 22, p. 75, doi. 10.2298/MUZ1722075D
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22
FROM PAIN TO PLEASURE: THE TROPING OF ELEGY IN THE RENAISSANCE ITALIAN MADRIGAL.
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- Muzikologija, 2017, n. 22, p. 151, doi. 10.2298/MUZ1722151M
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23
YEARS OF SOUND LIVING: MIKSER FESTIVAL IN SAVAMALA (2012-2016).
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- Muzikologija, 2017, n. 22, p. 39, doi. 10.2298/MUZ1722039M
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24
SOUNDSCAPE RESEARCH PUT INTO PRACTICE: THE EXPLORATION OF SOUNDWALKS IN THE CITY OF BERN.
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- Muzikologija, 2017, n. 22, p. 15, doi. 10.2298/MUZ1722015S
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