Thirty Times 'More Fair than Black': Othello Re-Translation as Political Re-Statement.
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- Angermion, 2011, v. 4, n. 1, p. 1, doi. 10.1515/9783110239201.1
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Works matching IS 14382091 AND DT 2011 AND VI 4 AND IP 1
Results: 11
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Gemilderte Wirklichkeit. Stefan Zweigs Feuilleton Hydepark und die Großstadtliteratur.
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- Angermion, 2011, v. 4, n. 1, p. 113, doi. 10.1515/9783110239201.113
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- Article
3
Ins Abenteuer. Joseph Conrad und die Schweizer Gegenwartsliteratur.
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- Angermion, 2011, v. 4, n. 1, p. 125, doi. 10.1515/9783110239201.125
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4
The Capitalist Uncanny in Kathrin Röggla's wir schlafen nicht: Ghosts in the Machine.
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- Angermion, 2011, v. 4, n. 1, p. 147, doi. 10.1515/9783110239201.147
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5
The Interpersonal is Political: Locating the Ethical Subject in Katharina Hacker's Die Habenichtse.
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- Angermion, 2011, v. 4, n. 1, p. 165, doi. 10.1515/9783110239201.165
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6
Reviews / Rezensionen.
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- Angermion, 2011, v. 4, n. 1, p. 183, doi. 10.1515/9783110239201.183
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- Article
7
Schillers Räuber und die shakespearische Tragödie.
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- Angermion, 2011, v. 4, n. 1, p. 53, doi. 10.1515/9783110239201.53
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- Article
8
'A Genuinely Funny German Farce' Turns into a Very Irish Play: The Broken Jug (1994), John Banville's Adaptation of Heinrich von Kleist's Der zerbrochne Krug (1807).
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- Angermion, 2011, v. 4, n. 1, p. 75, doi. 10.1515/9783110239201.75
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9
Viel Lärm um Theodor Lessing.
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- Angermion, 2011, v. 4, n. 1, p. 95, doi. 10.1515/9783110239201.95
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- Article
10
Frontmatter.
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- Angermion, 2011, v. 4, n. 1, p. I, doi. 10.1515/9783110239201.fm
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- Article
11
Contents / Inhalt.
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- Angermion, 2011, v. 4, n. 1, p. V, doi. 10.1515/9783110239201.v
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- Article