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Introduction. The Hockney-Falco Thesis: Constraints and Opportunities.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 125, doi. 10.1163/1573382054088141
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Between Knowing and Doing: Mirrors and Their Imperfections in the Renaissance.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 137, doi. 10.1163/1573382054088187
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Reflections on the Hockney-Falco Thesis: Optical Theory and Artistic Practice in the Fifteenth and Sixteenth Centuries.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 163, doi. 10.1163/1573382054088169
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- Article
The Mirror and Painting in Early Renaissance Texts.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 187, doi. 10.1163/1573382054088114
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- Article
Optics, Pictures and Evidence: Leonardo's Drawings of Mirrors and Machinery.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 211, doi. 10.1163/1573382054088132
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- Article
Early Conceptualizations of the Telescope as an Optical Instrument.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 237, doi. 10.1163/1573382054088150
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- Article
Looking for an Artificial Eye: On the Borderline between Painting and Topography.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 263, doi. 10.1163/1573382054088105
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- Article
Allegory, Realism, and Vermeer's Use of the Camera Obscura.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 287, doi. 10.1163/1573382054088123
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- Article
Hockney's Secret Knowledge, Vanvitelli's Camera Obscura.
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- Early Science & Medicine, 2005, v. 10, n. 2, p. 315, doi. 10.1163/1573382054088178
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- Article