Not Seeing (and Seeing) the Wolves for the Trees: Unrepresenting Hyperclarity in Fred Vargas's L'Homme à l'envers.Published in:Chiasma, 2014, v. 33, p. 79Publication type:Article
Léo Malet's Troubled Waters, Or How to Have Your Femme Fatale and Kill Her.Published in:Chiasma, 2014, v. 33, p. 143Publication type:Article
Roquentin's Primal Scene, Or What is and What is Not Seen in La Nausée.Published in:Chiasma, 2014, v. 33, p. 109Publication type:Article
Paris, Capital of Fetishism: The Fashion of Looking (Again and Again) at the Woman Passing By.Published in:Chiasma, 2014, v. 33, p. 33Publication type:Article
Introduction: Please, Let's Talk about Text.Published in:Chiasma, 2014, v. 33, p. 13Publication type:Article
Préface du directeur de la collection Chiasma.Published in:Chiasma, 2014, v. 33, p. 7By:Bishop, MichaelPublication type:Article
Deciphering the Hieroglyphic in Frédéric Cathala's L'Arbalète : La vraie vie commence.Published in:Chiasma, 2014, v. 33, p. 57Publication type:Article