Fictions and Fakes: Forging Romantic Authenticity, 1760-1845.Published in:2007By:Ott, KristinPublication type:Book Review
British Romanticism and Italian Literature: Translating, Reviewing, Rewriting.Published in:2007By:McCue, MaureenPublication type:Book Review
Coleridge's Capable Negativity in 'Dejection: an ode'.Published in:2007By:Keanie, AndrewPublication type:Poetry Review
Indian Renaissance: British Romantic Art and the Prospect of India.Published in:2007By:Cronin, RichardPublication type:Book Review
The Reception of Blake in the Orient.Published in:2007By:Larrissy, EdwardPublication type:Book Review
Coleridge, Moritz and the 'psychological' case history.Published in:2007By:Vickers, NeilPublication type:Literary Criticism
'Offspring of his Genius': Coleridge's Pregnant Metaphors and Metamorphic Pregnancies.Published in:2007By:Toor, KiranPublication type:Literary Criticism
Austen's Unbecoming Conjunctions: Subversive Laughter, Embodied History.Published in:2007By:Murphy, OliviaPublication type:Book Review
'Dangerous and Suspicious Trades': Wordsworth's Pedlar and the Board of Police Revenue.Published in:2007By:Bailey, QuentinPublication type:Literary Criticism
'The destinies of the world': Shelley's reception and transmission of European news in 1820-21'.Published in:Romanticism, 2007, v. 13, n. 3, p. 233, doi. 10.3366/rom.2007.13.3.233By:Rossington, MichaelPublication type:Article
Mary Shelley as Elegiac Poet: The Return and 'The Choice'.Published in:2007By:Allen, GrahamPublication type:Poetry Review
'The Busy Time': Keats's Duties at Guy's Hospital from Autumn 1816 to March 1817.Published in:Romanticism, 2007, v. 13, n. 3, p. 199, doi. 10.3366/rom.2007.13.3.199By:Barnard, JohnPublication type:Article