The MacGuffin: 'Small details' in Hitchcock's Vertigo and Neil Jordan's The Crying Game.Published in:Journal of Irish Studies, 2017, v. 32, p. 43By:Fitzsimons, AndrewPublication type:Article
Yeats and Yonejirō Noguchi: Mutual influences between Ireland and Japan.Published in:Journal of Irish Studies, 2017, v. 32, p. 35By:Shotaro YamauchiPublication type:Article
Revolutionary Damnation: Badiou and Irish Fiction from Joyce to Enright.Published in:2017By:O'Leary, Joseph S.Publication type:Book Review
Contemporary Irish Theatre: Transnational Practices.Published in:2017By:Curran, BeverleyPublication type:Book Review
Dr. James Barry: A Woman Ahead of Her Time.Published in:2017By:Burleigh, DavidPublication type:Book Review
A Way Out of Joyce's Labyrinth: Reading A Portrait of the Artist as a Young Man.Published in:2017By:Izumi SugawaPublication type:Book Review
War/Poetic Imagination/Ethics: Ireland's civil war, nuclear war, the Northern Ireland conflict, the Iraq War.Published in:2017By:Masami NakaoPublication type:Book Review
The Eighteenth Century in Ulysses.Published in:Journal of Irish Studies, 2017, v. 32, p. 53By:O'Leary, Joseph S.Publication type:Article
Yeats's Reveries over Childhood and Youth: A symbolic autobiography.Published in:2017By:Yoko SatoPublication type:Book Review
Loss and resolution in Riders to the Sea: Reflecting on the theory of grief.Published in:Journal of Irish Studies, 2017, v. 32, p. 13By:Yumiko KataokaPublication type:Article
'Great Joys Were My Share Always': Ibsenite echoes in Synge's Deirdre of the Sorrows.Published in:Journal of Irish Studies, 2017, v. 32, p. 3By:Lonergan, PatrickPublication type:Article