Choreographic Turn #8: Notes and reflections.
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- Maska, 2024, v. 39, n. 221/222, p. 82, doi. 10.1386/maska_00196_1
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- Article
Works matching IS 13180509 AND DT 2024 AND VI 39 AND IP 221/222
Results: 8
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The dualities of artificial presence and authenticity.
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- Maska, 2024, v. 39, n. 221/222, p. 76, doi. 10.1386/maska_00195_1
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- Article
3
Making, performing and experiencing improvised work.
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- Maska, 2024, v. 39, n. 221/222, p. 58, doi. 10.1386/maska_00194_1
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- Article
4
Towards an aesthetic commoning.
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- Maska, 2024, v. 39, n. 221/222, p. 46, doi. 10.1386/maska_00193_1
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- Article
5
Theatre as a space of empowerment and emphasis of voices.
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- Maska, 2024, v. 39, n. 221/222, p. 14, doi. 10.1386/maska_00191_1
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- Article
6
The cruel optimism of contact improvisation: Dancing between neoliberal subjectivation and practices of commoning.
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- Maska, 2024, v. 39, n. 221/222, p. 26, doi. 10.1386/maska_00192_1
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- Article
7
Editorial.
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- 2024
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- Editorial
8
The vascular system of existence: My social class is my blood group.
- Published in:
- Maska, 2024, v. 39, n. 221/222, p. 4, doi. 10.1386/maska_00190_1
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- Article