Works matching IS 13180509 AND DT 2017 AND VI 32 AND IP 185/186
Results: 10
The aesthetic revolution.
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- Maska, 2017, v. 32, n. 185/186, p. 10, doi. 10.1386/maska.32.185-186.10_1
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- Article
Metaphorical and metonymical equality: From a rhetoric of society to an aesthetics of politics.
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- Maska, 2017, v. 32, n. 185/186, p. 52, doi. 10.1386/maska.32.185-186.52_1
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- Article
Scenes of a world.
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- Maska, 2017, v. 32, n. 185/186, p. 6, doi. 10.1386/maska.32.185-186.6_2
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Fictioning disagreement: The construction of separation in the work of Jacques Rancière.
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- Maska, 2017, v. 32, n. 185/186, p. 64, doi. 10.1386/maska.32.185-186.64_1
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- Article
'You ought not to be obsessed with the idea that you have to intervene on every subject at every moment': Interview with Jacques Rancière.
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- Maska, 2017, v. 32, n. 185/186, p. 98, doi. 10.1386/maska.32.185-186.98_7
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The lost thread of strategy: Lord Jim, Jacques Rancière and dreaming.
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- Maska, 2017, v. 32, n. 185/186, p. 32, doi. 10.1386/maska.32.185-186.32_1
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Dandy Socialism.
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- Maska, 2017, v. 32, n. 185/186, p. 134, doi. 10.1386/maska.32.185-186.134_1
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Taking cinematic aesthetics into outer space: Dreaming of Space and Paper Soldier.
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- Maska, 2017, v. 32, n. 185/186, p. 110, doi. 10.1386/maska.32.185-186.110_1
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Hybridity: Discussing Rancière with Austro-Marxism.
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- Maska, 2017, v. 32, n. 185/186, p. 122, doi. 10.1386/maska.32.185-186.122_1
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The refugee issue at the heart of political film.
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- Maska, 2017, v. 32, n. 185/186, p. 86, doi. 10.1386/maska.32.185-186.86_1
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- Article