Works matching IS 12336173 AND DT 2019 AND VI 19
Results: 19
Castlings in the Margins: A Change of Perspective.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.2188
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Performativity – Politics – Community.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.2190
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Dynamics of Particular and Common: Monuments and Patriotic Tourism in Socialist Yugoslavia – a Case Study of Kosovo.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1970
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Vilnius Archipelago: Performative Walks around This Performative City.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1964
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Tumačenje sjećanja i zamišljanje zajednica u poslijeratnim vukovarskim ritualima (1992. – 2015.).
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1955
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Performing a difficult past in a museum: The History Museum of Bosnia and Herzegovina.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1949
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Financing the Theatre System in the Republic of Croatia.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1903
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The Performativity of Protests: Artistic Opposition to the Monument to the Soviet Army in Sofia as a Way of Modeling Urban Space: Protest: that is, action.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1861
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Rupture – Integration – Renewal: The Gathering in Dalma and the Creation of a Political Community in the Chronicle of the Priest of Dioclea.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1935
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Bulgarian Affairs in the Second Half of the 19<sup>th</sup> c. in Polish Historiography since 1989.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1920
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The Last Twenty-Five Years of Polish Humanities Related to the History of the Nations and Countries of Former Yugoslavia, their Political and Cultural Relations with Poles, and Unionism Ideas in the Second Half of the 19<sup>th</sup> Century.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1919
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Narod protiv Olivera Frljića ili Poljska poslije Kletve.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1938
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From Icon to Punk Portrait: The Iconicity of the Ruler Image in the Context of the Transformation of the Idea of the Serbian State: From the icon to the icon.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1893
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Queer Immanence in Who is? Woyzeck: The Technocentric Utopia of the Master and the Slave.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1921
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Facebook Posts as Performatives in Bulgarian Political Life: A Sociolinguistic Investigation: The Notions of ‘Performing’ and ‘Performatives’.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1859
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Memory in Action – Performative Practices in a Dispute about the Past: Serbia and Croatia at the Turn of the 20th and 21st Century.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1822
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“The Yellow Duck” Attacks: An Analysis of the Activities of the “Ne da(vi)mo Beograd” Initiative in the Serbian Public Space.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1818
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Performance of Resistance in Croatia: A Chronotopic Review from the 1990s Onwards.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1817
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The Construction of a Political Community: Croatian Political Emigrants after 1945 as Performative Actors.
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- Slavia Meridionalis, 2019, v. 19, p. 1, doi. 10.11649/sm.1745
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