Works matching IS 12331821 AND DT 2018 AND VI 23 AND IP 2
Results: 17
Cosmological Black Holes and the Direction of Time.
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- Foundations of Science, 2018, v. 23, n. 2, p. 415, doi. 10.1007/s10699-017-9527-x
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To Explain or to Predict: Which One is Mandatory?
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- Foundations of Science, 2018, v. 23, n. 2, p. 411, doi. 10.1007/s10699-017-9533-z
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Spin and Wind Directions II: A Bell State Quantum Model.
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- Foundations of Science, 2018, v. 23, n. 2, p. 337, doi. 10.1007/s10699-017-9530-2
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Mario Bunge on Gravitational Waves and the Reality of Spacetime.
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- Foundations of Science, 2018, v. 23, n. 2, p. 405, doi. 10.1007/s10699-017-9529-8
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Spin and Wind Directions I: Identifying Entanglement in Nature and Cognition.
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- Foundations of Science, 2018, v. 23, n. 2, p. 323, doi. 10.1007/s10699-017-9528-9
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Cauchy’s Infinitesimals, His Sum Theorem, and Foundational Paradigms.
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- Foundations of Science, 2018, v. 23, n. 2, p. 267, doi. 10.1007/s10699-017-9534-y
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Gravitational Waves and Spacetime.
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- Foundations of Science, 2018, v. 23, n. 2, p. 399, doi. 10.1007/s10699-017-9526-y
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The Jesuits and the Method of Indivisibles.
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- Foundations of Science, 2018, v. 23, n. 2, p. 367, doi. 10.1007/s10699-017-9525-z
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The Unseen Déjà-Vu: From Erkki Huhtamo’s Topoi to Ken Jacobs’ Remakes.
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- Foundations of Science, 2018, v. 23, n. 2, p. 231, doi. 10.1007/s10699-016-9516-5
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Impure Systems and Ecological Models (I): Axiomatization.
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- Foundations of Science, 2018, v. 23, n. 2, p. 297, doi. 10.1007/s10699-017-9522-2
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The Tacit ‘Quantum’ of Meeting the Aesthetic Sign; Contextualize, Entangle, Superpose, Collapse or Decohere.
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- Foundations of Science, 2018, v. 23, n. 2, p. 255, doi. 10.1007/s10699-016-9519-2
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The Documentary Real and the Shoah.
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- Foundations of Science, 2018, v. 23, n. 2, p. 245, doi. 10.1007/s10699-016-9518-3
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Approximation, Mad Men and the Death of JFK.
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- Foundations of Science, 2018, v. 23, n. 2, p. 237, doi. 10.1007/s10699-016-9517-4
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On Indivisibles and Infinitesimals: A Response to David Sherry, “The Jesuits and the Method of Indivisibles”.
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- Foundations of Science, 2018, v. 23, n. 2, p. 393, doi. 10.1007/s10699-017-9523-1
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Revisiting Tom Tom: Performative Anamnesis and Autonomous Vision in Ken Jacobs’ Appropriations of Tom Tom the Piper’s Son.
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- Foundations of Science, 2018, v. 23, n. 2, p. 217, doi. 10.1007/s10699-016-9515-6
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The Documentary Surreal: Film and Painting in Luciano Emmer’s La Leggenda di Sant’Orsola (1948) and Henri Storck’s Le Monde de Paul Delvaux (1946).
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- Foundations of Science, 2018, v. 23, n. 2, p. 207, doi. 10.1007/s10699-016-9514-7
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The Documentary Real: Thinking Documentary Aesthetics.
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- Foundations of Science, 2018, v. 23, n. 2, p. 197, doi. 10.1007/s10699-016-9513-8
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