Facing Places in Richard Brome's The Weeding of Covent Garden.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 149
- By:
- Publication type:
- Article
Works matching IS 12069078 AND DT 2007 AND VI 10 AND IP 2
Results: 10
1
2
'Now mark that fellow; he speaks Extempore': Scripted Improvisation in The Antipodes.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 129, doi. 10.12745/et.10.2.758
- By:
- Publication type:
- Article
3
'On Cheating Pictures': Gender and Portrait Miniatures in Philip Massinger's The Picture.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 87, doi. 10.12745/et.10.2.755
- By:
- Publication type:
- Article
4
'An Amazonian Heroickess': The Military Leadership of Queen Henrietta Maria in Margaret Cavendish's Bell in Campo (1662).
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 71, doi. 10.12745/et.10.2.754
- By:
- Publication type:
- Article
5
Female Play-going and the Good Woman.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 51, doi. 10.12745/et.10.2.753
- By:
- Publication type:
- Article
6
A Theatrical Miracle: The Boxley Rood of Grace as Puppet.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 11, doi. 10.12745/et.10.2.752
- By:
- Publication type:
- Article
7
'This alters not thy beauty': Face-paint, Gender and Race in Richard Brome's The English Moor.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 140, doi. 10.12745/et.10.2.759
- By:
- Publication type:
- Article
8
Richard Brome's Contract and the Relationship of Dramatist to Company in the early modern period.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 116, doi. 10.12745/et.10.2.757
- By:
- Publication type:
- Article
9
Editorial.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 7, doi. 10.12745/et.10.2.750
- By:
- Publication type:
- Article
10
Offstage and Onstage Drama: New Approaches to Richard Brome.
- Published in:
- Early Theatre, 2007, v. 10, n. 2, p. 109, doi. 10.12745/et.10.2.756
- By:
- Publication type:
- Article