A Jacobean Company and its Playhouse: The Queen's Servants at the Red Bull Theatre (c.1605-1619).
- Published in:
- 2017
- By:
- Publication type:
- Book Review
Works matching IS 12012459 AND DT 2017
Results: 39
1
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Art, Literature and Religion in Early Modern Sussex: Culture and Conflict.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
3
Cavendish, Woolf, and the Cypriot Goddess Natura.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
4
Two Richard II films, directed by Rupert Goold (2012) and Gregory Doran (2013).
- Published in:
- Early Modern Literary Studies, 2017, v. 19, n. 2, p. 1
- By:
- Publication type:
- Article
5
Books Received, October 2017.
- Published in:
- 2017
- Publication type:
- Bibliography
6
Robert Burton and the Transformative Powers of Melancholy.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
7
On the Date, Sources and Design of Shakespeare's The Tempest.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
8
Julius Caesar, performed by Sheffield Theatres at the Crucible Theatre, Sheffield, UK, 24<sup>th</sup> May 2017.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
9
Timon of Athens, Presented by the Folger Theatre, Washington, D.C., May 9-June 11, 2017.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
10
Keeping Boys and Men: Marvelous Pageboys in Romantic Tragicomedy.
- Published in:
- Early Modern Literary Studies, 2017, v. 19, n. 2, p. 1
- By:
- Publication type:
- Article
11
The Changeling presented by Shakespeare's Globe at the Sam Wanamaker Playhouse, London, January 2015.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
12
Twelfth Night, Hamlet, The Winters' Tale, Richard II, Timon of Athens, presented by the Oregon Shakespeare Festival, February-November 2016.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
13
Romeo and Juliet presented by the Kenneth Branagh Theatre Company at the Garrick Theatre, London, UK. May 12-August 13, 2016.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
14
The Merchant of Venice presented by Shakespeare's Globe at the Chicago Shakespeare Theatre, Saturday, August 13, 2016.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
15
A Midsummer Night's Dream, presented by the Royal Shakespeare Company and Everyman Theatre at the New Theatre, Cardiff, 28 May 2016.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
16
'Oh, to make boards speak! There is a task': understanding the iconography of the applied paintings at Bolsover Castle.
- Published in:
- Early Modern Literary Studies, 2017, v. 19, n. 2, p. 1
- By:
- Publication type:
- Article
17
A Tale of Two Twelfth Nights: Twelfth Night presented by University of the Fraser Valley Theater, March 3 - 20 2016, and Trinity Western University Theater, March 29 - April 9 2016.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
18
Collaborative Writing and Lyric Interchange in Philip Sidney's Old Arcadia.
- Published in:
- 2017
- By:
- Publication type:
- Poetry Review
19
Revisiting the 'Rabbit-Duck': A Pragma-Rhetorical Approach to Henry's Moral Ambiguity in Henry V.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
20
'Virtue perforce is vice': Ceremonial and Infernal Nuptials in John Marston's Sophonisba.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
21
'Sheep-skin-weaver': Ben Jonson in Thomas Dekker's Satiromastix.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
22
The Danish Romance Play: Fair Em, Sir Clyomon and Sir Clamydes, and Hoffman.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
23
'She speaks poniards': Shakespearean Drama and the Italianate Leading Lady as Verbal Duellist.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
24
'A Whore You Are, Madam', or the Binary that Wasn't: Female Dyads and Doubling in John Fletcher's The Chances and Women Pleased.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
25
Strangeness: Early Modern European Women and the Invention of Whiteness.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
26
'I cannot speak your England': French Women in King John and Henry V.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
27
Introduction: European Women in Early Modern English Drama.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
28
Wife, Whore, and/or Dutchwoman: Shifting Female Roles in The London Prodigal.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
29
European Unions: The Spanish Wife and the Scottish Widow in Shakespeare and Fletcher's Henry VIII and Ford's Perkin Warbeck.
- Published in:
- Early Modern Literary Studies, 2017, n. 27, p. 1
- By:
- Publication type:
- Article
30
Bergetto - The Prodigal Son Abroad in 'The Iron Age'.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
31
Introduction: Ford in Performance, 2014-16.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
32
Staging Ford in New York, 2015: An Interview with Jesse Berger, Artistic Director of the Red Bull Theater.
- Published in:
- 2017
- By:
- Publication type:
- Interview
33
'What think you of this present state?': Representations of Scotland and Anglo-Scottish union in Robert Greene's The Scottish History of James the Fourth and John Ford's Perkin Warbeck.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
34
Perkin Warbeck and Massinger.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
35
Ungovernable Passion in John Ford's 'Tis Pity She's a Whore.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
36
Reflections on John Ford's Story by MED Theatre's Young Company, 2011.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
37
'I haue paid the Duty to the Sonne, which I haue vowed to the Father': Serving the Father in John Ford's 'Tis Pity She's A Whore.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
38
Directing The Lady's Trial.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article
39
'It Seems She Was Born First': The Persistence of Twinship in The Broken Heart and The Duchess of Malfi.
- Published in:
- Early Modern Literary Studies, 2017, n. 26, p. 1
- By:
- Publication type:
- Article