'When dead ones are revived': The Aesthetics of Spectacle in Robert Greene's James IV (c. 1590).Published in:2012By:Sager, JennyPublication type:Literary Criticism
Donne's Augustine: Renaissance Cultures of Interpretation.Published in:2012By:Murray, Patrick J.Publication type:Book Review
Religion and Drama in Early Modern England: The Performance of Religion on the Renaissance Stage.Published in:2012By:Searle, AlisonPublication type:Book Review
Homoerotic Pleasure and Violence in the Drama of Thomas Middleton.Published in:2012By:Blamires, AdrianPublication type:Literary Criticism
Performing Childhood in the Early Modern Theatre: The Children's Playing Companies (1599-1613).Published in:2012By:Sasser, M. TylerPublication type:Book Review
Divided They Fall: (De)constructing the Triple Hecate in Spenser's Cantos of Mutabilitie.Published in:2012By:Dell, JessicaPublication type:Literary Criticism
Cambridge Shakespeare, 2012.Published in:2012By:Myer, Michael GrosvenorPublication type:Arts/Entertainment Review
Beaumont and Fletcher's Rhodes: Early Modern Geopolitics and Mythological Topography in The Maid's Tragedy.Published in:2012By:Reid, Lindsay AnnPublication type:Literary Criticism