TAGS de Joane Hétu et TanGRAM de Danielle Palardy Roger : signatures plurielles et figure continue.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 101, doi. 10.7202/1071125ar
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- Article
Works matching IS 11831693 AND DT 2020 AND VI 30 AND IP 2
Results: 12
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Musique actuelle: topographie d'un genre, de Réjean Beaucage.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 119, doi. 10.7202/1071126ar
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- Article
3
Introduction. Bienvenue dans le continuum de l'improvisation.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 5, doi. 10.7202/1071117ar
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- Article
4
Rendre audible l'indéterminé: l'Ensemble Hodos joue Philip Corner.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 79, doi. 10.7202/1071123ar
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- Article
5
Les illustrations.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 127, doi. 10.7202/1071128ar
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- Article
6
Nouveautés en bref.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 123, doi. 10.7202/1071127ar
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7
Fêtes sonores: les 40 ans de Productions SuperMusique entendus par...
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 89, doi. 10.7202/1071124ar
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- Article
8
S'entendre sur le soundpainting.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 69, doi. 10.7202/1071122ar
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- Article
9
Pour une musique sans excuse.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 63, doi. 10.7202/1071121ar
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- Article
10
À même le son de l'orgue: improviser, recréer, composer à la tribune de la Trinité.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 47, doi. 10.7202/1071120ar
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- Article
11
"We also like to be surprised"1: Disruption, provocation and surprise in the music of Christian Wolff.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 27, doi. 10.7202/1071119ar
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12
À la croisée d'un double continuum? Retour sur une expérience de co-création entre un compositeur et cinq improvisateurs.
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- Circuit: Musiques Contemporaines, 2020, v. 30, n. 2, p. 11, doi. 10.7202/1071118ar
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