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Entretiens avec les musiciens participant aux projets Extrakte (Berlin) et Sound of Montréal.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 87, doi. 10.7202/1044378ar
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- Article
L'interculturalisme à travers le filtre cognitif : comment Gilles Tremblay recompose le gamelan dans Oralléluiants.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 71, doi. 10.7202/1044377ar
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- Article
Une curieuse douzaine de Traités sur les esthétiques transtraditionnelles.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 101, doi. 10.7202/1044379ar
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- Article
Introduction. De l'appropriation au dialogue : des rencontres « transtraditionnelles » et leurs modalités.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 9, doi. 10.7202/1044371ar
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- Article
Avant-propos : « Pluriel singulier » ?
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 5, doi. 10.7202/1044370ar
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- Article
Vue d'ensemble de la musique interculturelle au Canada : politique, diversité et colonialisme.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 59, doi. 10.7202/1044376ar
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- Article
Transcultural Music-Making in Contemporary Music Ensembles: Five Approaches in Germany, the Netherlands, Uzbekistan and Turkey.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 45, doi. 10.7202/1044375ar
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- Article
Musical and Musicianly Listening in Intercultural Practice.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 35
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- Article
Réf lexions sur la comprovisation de Sandeep Bhagwati : théorie et pratique.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 23
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- Article
Glossaire raisonné.
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- Circuit: Musiques Contemporaines, 2018, v. 28, n. 1, p. 15, doi. 10.7202/1044372ar
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- Article