Works matching IS 11357789 AND DT 2019
Results: 17
I Call Her Will.
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- Sederi, 2019, n. 29, p. 227
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Shakespeare and Indian Cinemas: Local Habitations.
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- Sederi, 2019, n. 29, p. 221
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Romeo y Julieta en España: Las versiones neoclásicas Murcia.
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- Sederi, 2019, n. 29, p. 216
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Cervantes–Shakespeare 1616–2016: Contexto, influencia, relación. Context, Influence.
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- Sederi, 2019, n. 29, p. 211
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De honore. Estudio y traducción.
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- Sederi, 2019, n. 29, p. 205
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Women’s Prophetic Writings in Seventeenth-Century Britain.
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- Sederi, 2019, n. 29, p. 199
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Shakespeare’s Pictures: Visual Objects in the Dramas/Shakespeare’s Artists: The Painters, Sculptors, Poets and Musicians in his Plays and Poems.
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- Sederi, 2019, n. 29, p. 194
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New Places: Shakespeare and Civic Creativity.
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- Sederi, 2019, n. 29, p. 189
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English Authorship and the Early Modern Sublime.
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- Sederi, 2019, n. 29, p. 183
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William Forrest: Poetry, politics, script and power.
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- Sederi, 2019, n. 29, p. 163, doi. 10.34136/sederi.2019.7
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Uneasy lies the heart that wears a badge: James Gray’s We Own the Night as a Gen-X Henriad.
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- Sederi, 2019, n. 29, p. 135, doi. 10.34136/sederi.2019.6
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Suffocated mothers, stabbed sisters, drowned daughters: when women choose death on Shakespeare's stage.
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- Sederi, 2019, n. 29, p. 109, doi. 10.34136/sederi.2019.5
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Ovid’s urban metamorphosis.
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- Sederi, 2019, n. 29, p. 85, doi. 10.34136/sederi.2019.4
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The limner’s art in Shakespeare’s Macbeth.
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- Sederi, 2019, n. 29, p. 61, doi. 10.34136/sederi.2019.3
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The blurring of genus, genre, and gender in Margaret Cavendish’s utopias.
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- Sederi, 2019, n. 29, p. 35, doi. 10.34136/sederi.2019.2
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Leskov’s rewriting of Lady Macbeth and the processes of adaptation and appropriation.
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- Sederi, 2019, n. 29, p. 11, doi. 10.34136/sederi.2019.1
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María Luisa Dañobeitia Fernández: In memoriam.
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- Sederi, 2019, n. 29, p. 5
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