Shakespeare, Virgil and the Politics of Violence.
- Published in:
- Sederi, 1998, n. 8, p. 149
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- Publication type:
- Article
Works matching IS 11357789 AND DT 1998
Results: 31
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Rosalind in Jeans: Christine Edzard's Film Version of As You Like It.
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- Sederi, 1998, n. 8, p. 177
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- Article
3
At the Damsel's feet: Translation and Decorum in a nineteenth-century Hamlet.
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- Sederi, 1998, n. 8, p. 171
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- Article
4
A Clockwork Brick in the Wall: Shakespeare and Communist Aesthetics.
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- Sederi, 1998, n. 8, p. 163
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- Article
5
Beyond the emblem: Alchemical Albedo in Ben Jonson's The Masque of Blackness.
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- Sederi, 1998, n. 8, p. 257
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- Article
6
Marlowe, Jarman, and Edward II: Use or Abuse?
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- Sederi, 1998, n. 8, p. 251
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- Article
7
The Court Drama of Ben Jonson and Calderón.
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- Sederi, 1998, n. 8, p. 243
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- Article
8
Crime, Revenge and Horror: Peter Greenaway's The Cook, The Thief, His Wife and Her Lover as a Jacobean Revenge Tragedy.
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- Sederi, 1998, n. 8, p. 237
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- Publication type:
- Article
9
The Three Faces of the Goddess in Ben Jonson's Masque of Queens.
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- Sederi, 1998, n. 8, p. 231
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- Article
10
The Circle Pattern in Ben Jonson's Volpone.
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- Sederi, 1998, n. 8, p. 213
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- Article
11
'Conflation' in the non-conflated Shakespearian editions.
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- Sederi, 1998, n. 8, p. 203
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- Article
12
Shakespeare in Spanish Translations: Recent Findings About the Nacente Collection.
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- Sederi, 1998, n. 8, p. 197
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- Publication type:
- Article
13
'Silence is the perfectest herald of joy': The Claudio-Hero Plot in Kenneth Branagh's Much Ado About Nothing.
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- Sederi, 1998, n. 8, p. 191
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- Article
14
"A Speechless Dialect": Gender and Self-Recognition in Measure for Measure.
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- Sederi, 1998, n. 8, p. 183
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- Article
15
Transgression and After: Fathers and Daughters in Susanna Centlivre's The Busybody.
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- Sederi, 1998, n. 8, p. 141
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- Publication type:
- Article
16
The use of periphrastic do in Early Modern English negative declaratives: evidence from the Helsinki Corpus.
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- Sederi, 1998, n. 8, p. 35
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- Publication type:
- Article
17
Female Relationships in Mary Pix's The Beau Defeated.
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- Sederi, 1998, n. 8, p. 135
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18
"If it be naught": Margaret Cavendish and the Performance of Transcendence.
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- Sederi, 1998, n. 8, p. 121
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19
"Who Speaks for Justice?": Renaissance Legal Development and the Literary Voices of Women.
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- Sederi, 1998, n. 8, p. 101
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20
The Expression of Fear: William Cecil's The Execution of Justice.
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- Sederi, 1998, n. 8, p. 93
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- Article
21
A Sense of Continuity: lyric sequences, dramatic cycles and narrative pilgrimages in late medieval and early modern Literature.
- Published in:
- Sederi, 1998, n. 8, p. 89
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- Publication type:
- Article
22
'Pretty Contradictions': the Virgin Prostitutes of Aphra Behn's The Feigned Courtesans (1679).
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- Sederi, 1998, n. 8, p. 129
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- Publication type:
- Article
23
"The Sweet Smoke of Rhetoric": Some Observations on Shakespeare's Theory of Language.
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- Sederi, 1998, n. 8, p. 19
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- Article
24
Othere places delitables in two sixteenth-century Scottish texts.
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- Sederi, 1998, n. 8, p. 25
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- Publication type:
- Article
25
Social Function of the Renaissance Concept of Honour: An Introduction.
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- Sederi, 1998, n. 8, p. 83
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26
New England Puritans: "the Lord's FREE People".
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- Sederi, 1998, n. 8, p. 75
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27
Rhetorical tradition and the argument of separation: Milton's The Doctrine and Discipline of Divorce.
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- Sederi, 1998, n. 8, p. 47
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28
Some Northern Dialect Features in Deloney's Thomas of Reading.
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- Sederi, 1998, n. 8, p. 7
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- Article
29
John Donne and the New Universe. Retaking the issue.
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- Sederi, 1998, n. 8, p. 65
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30
Sir Robert Sidney's Poems Revisited: the Alternative Sequence.
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- Sederi, 1998, n. 8, p. 61
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- Article
31
'The Rest is Silence': Absent Voices in John Donne's Songs and Sonnets.
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- Sederi, 1998, n. 8, p. 55
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- Article