Who's Who in SEDERI (1996).
- Published in:
- Sederi, 1997, n. 7, p. 323
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- Publication type:
- Article
Works matching IS 11357789 AND DT 1997
Results: 37
1
2
Teaching Shakespeare's Sonnets: time as fracture in sonnets 18, 60 and 63.
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- Sederi, 1997, n. 7, p. 313
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3
The fair and the unfair: Renaissance images and their change in William Shakespeare's Sonnets.
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- Sederi, 1997, n. 7, p. 303
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4
Ovid and Shakespeare's Venus and Adonis: A Study of sexual-role reversal.
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- Sederi, 1997, n. 7, p. 297
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5
"He hourly humanizes": Transformations and Appropiations of Shakespeare's Caliban.
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- Sederi, 1997, n. 7, p. 293
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6
An isle full of noises, sounds and sweer airs: Shakespeare's The Tempest and Krysztof Kieslowski's Red.
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- Sederi, 1997, n. 7, p. 289
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7
Gender Ambiguity and Desire in Twelfth Night.
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- Sederi, 1997, n. 7, p. 283
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- Article
8
Shylock's five-facetted character.
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- Sederi, 1997, n. 7, p. 275
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- Article
9
The epic tone in Shakespeare's Henry V.
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- Sederi, 1997, n. 7, p. 269
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10
'Deformed, unfinished, sent before my time': Monstrosity in Richard III and Mary Shelley's Frankenstein.
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- Sederi, 1997, n. 7, p. 263
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11
The elusive ensign: towards a "grammar" of Iago's motives.
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- Sederi, 1997, n. 7, p. 257
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12
Conversion narratives: Othello and other black characters in Shakespeare's and Lope de Vega's plays.
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- Sederi, 1997, n. 7, p. 251
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- Article
13
Shakespearean Strategies of (Dis)Orientation in Othello, act I.
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- Sederi, 1997, n. 7, p. 243
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14
Emblems of Darkness: Othello (1604) and the Masque of Blackness (1605).
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- Sederi, 1997, n. 7, p. 235
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15
Dramaturgy of the Acting Version of the First Quarto of Hamlet.
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- Sederi, 1997, n. 7, p. 219
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16
Hamlet and the invention of Tragedy.
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- Sederi, 1997, n. 7, p. 207
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17
'A more familiar straine': puppetry and burlesque, or, translation as debasement in Ben Jonson's Bartholomew Fair.
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- Sederi, 1997, n. 7, p. 197
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18
Death in northern Africa: The Battle of Alcazar and its theatrical representation.
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- Sederi, 1997, n. 7, p. 189
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19
Knowledge and Science in Paradise Lost.
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- Sederi, 1997, n. 7, p. 181
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20
Blurred Contours: An Attempt to Deconstruct the Female Character in Books I and III of Edmund Spenser's The Faerie Queene.
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- Sederi, 1997, n. 7, p. 175
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21
John Donne: The New Turn of Classical Tradition.
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- Sederi, 1997, n. 7, p. 169
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22
John Donne: Holy Sonnet XIV or the Plenitude of Metaphor.
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- Sederi, 1997, n. 7, p. 163
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23
Lyric and lyric sequences.
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- Sederi, 1997, n. 7, p. 157
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24
Mad Moll and Merry Meg: the roaring girl as popular heroine in Elizabethan and Jacobean writings.
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- Sederi, 1997, n. 7, p. 145
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25
The English Spelling Reform in the Light of the Works of Richard Mulcaster and John Hart.
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- Sederi, 1997, n. 7, p. 127
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26
English and French as L1 and L2 in Renaissance England: a consequence of medieval nationalism.
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- Sederi, 1997, n. 7, p. 117
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27
The Renaissance environement of the first Spanish Grammar published in sixteenth-century England.
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- Sederi, 1997, n. 7, p. 109
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28
Forgotten Figure on the Bridge: Richard Mulcaster.
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- Sederi, 1997, n. 7, p. 103
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29
Seventeenth-Century Jurisprudence and Eighteenth-Century Lexicography: Sources for Johnson's Notion of Authority.
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- Sederi, 1997, n. 7, p. 87
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30
The interaction of polysemy and complementation: A case study.
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- Sederi, 1997, n. 7, p. 81
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31
The House is Building: Active Progressive with Passive Meaning.
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- Sederi, 1997, n. 7, p. 73
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32
The choice of relativizers in Early Modern English: evidence from the Helsinki Corpus.
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- Sederi, 1997, n. 7, p. 61
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33
Internal Relations in Double-headed Noun Phrases.
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- Sederi, 1997, n. 7, p. 51
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34
Continental English Books and the Standardization of the English Language in the Early Sixteenth Century: 1525-1540.
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- Sederi, 1997, n. 7, p. 39
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35
Addressing Formulæ and Politeness in The Shepheards Calender.
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- Sederi, 1997, n. 7, p. 23
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36
The Tragicall Historie of Hamlet, Prince of Denmarke and the Pronouns of Address: Q1 (1603) versus Q2 (1604/5).
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- Sederi, 1997, n. 7, p. 17
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37
English in Transition 1500-1700: On Variation in Second Person Singular Pronoun Usage.
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- Sederi, 1997, n. 7, p. 5
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