Works matching IS 10921311 AND DT 2016 AND VI 20 AND IP 1
Results: 23
Various Representations of Jews in Turkish Cinema.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.22
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Tracking the Fallen Apple: Ineffability, Religious Tropes, and Existential Despair in Nuri Bilge Ceylan's Once Upon a Time in Anatolia.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.13
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Time the Redeemer: Time as an Object of Cinema in a Post-Metaphysical Age.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.12
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The Seal of the Confessional: Robert Lepage's Le Confessionnal in Social and Cultural Context.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.07
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The Qur'anic Epic in Iranian Cinema.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.27
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Examining the Critical Role American Popular Film Continues to Play in Maintaining the Muslim Terrorist Image, Post 9/11.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.04
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The 2015 International Conference on Religion and Film.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.01
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Spirits and Ceremonies: How to Construct Religious Experience in Documentary Film.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.15
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Rivette's The Nun: Religion between Sadism and Masochism.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1
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Religious and National Identity in My Name is Khan.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.05
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Problematizing the Human-Technology Relationship through Techno-Spiritual Myths Presented in The Machine, Transcendence and Her.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.21
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Philippine Muslims on Screen: From Villains to Heroes.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.06
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On Human Nature in the Thought of Muhyiddin Ibn' Arabi and the Western Tradition Within the Context of the Film The Silence of the Lambs.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1
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"Noah's Beasts Were the Stars": Arthur Melbourne Cooper's Noah's Ark (1909).
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1
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Madness, Otherness and Transformation: Exploring Religion in Nordic Crime Films.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.18
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Hinduism and Its Others in Bollywood Film of the 2000s.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.10
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Films, Values, Absolutes: Why Theological Readings of Films are Morally and Politically Essential.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.11
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Films and Religion: An analysis of Aamir Khan's PK.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.09
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Enlightenments: The Interpretation of Tibetan Buddhism on Screen.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.19
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Different Images of God: Theological-aesthetical Evaluation of Films by Andrey Zvyagintsev and Pavel Lungin.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.16
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Allegory and Ambiguity in the Films of Majid Majidi: A Theodicy of Meaning.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.03
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Agonizing Transitions and Turning Away from God in Two Tunisian Movies.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.14
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"Aftertones of Infinity": Biblical and Darwinian Evocations in Terrence Malick's The Tree of Life and To the Wonder.
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- Journal of Religion & Film, 2016, v. 20, n. 1, p. 1, doi. 10.32873/uno.dc.jrf.20.01.17
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