Music Writing Literature, from Sand via Debussy to Derrida.Published in:2008By:Samuels, RobertPublication type:Book Review
Fluidities of Phrase and Form in the "Intermezzo" of Brahms's First Symphony.Published in:Integral, 2008, n. 22, p. 117By:Samarotto, FrankPublication type:Article
Tonal Functions and Active Synthesis: Hugo Riemann, German Psychology, and Kantian Epistemology.Published in:2008By:Pearce, TrevorPublication type:Essay
On Bartók's Comparative Musicology as a Resource for Bartókian Analysis.Published in:Integral, 2008, n. 22, p. 59By:Gollin, EdwardPublication type:Article
Schenker's Organicism Revisited.Published in:2008By:Duerksen, MarvaPublication type:Literary Criticism