‘I do not love thee Dr Fell’: Tom Brown’s Reception of Martial.Published in:International Journal of the Classical Tradition, 2018, v. 25, n. 4, p. 355, doi. 10.1007/s12138-018-0494-6By:Watson, PatriciaPublication type:Article
Persephone’s ‘Revolt’: Towards the Acquisition of Femininity in Yannis Ritsos’s ‘Persephone’.Published in:2018By:Demetriou, DemetraPublication type:Literary Criticism
“Se lieie la favola”: Apuleian Play in Basile’s Lo cunto de li cunti.Published in:2018By:Praet, StijnPublication type:Literary Criticism
God in History: Reading and Writing Herodotean Theology from Plutarch to the Renaissance, ed. Anthony Ellis. (Histos Supplement, 4).Published in:2018By:Earley, BenjaminPublication type:Book Review
The Genesis of W. B. Yeats’s King Oedipus, 1904-1912: Irish Nationalism, British Censorship and the Race to Stage the Oedipus Rex.Published in:International Journal of the Classical Tradition, 2018, v. 25, n. 4, p. 362, doi. 10.1007/s12138-017-0446-6By:Walsh, Joseph M.Publication type:Article
Simón Bolívar’s Rome.Published in:International Journal of the Classical Tradition, 2018, v. 25, n. 4, p. 333, doi. 10.1007/s12138-016-0428-0By:Bartosik-Vélez, ElisePublication type:Article
Helen Slaney, The Senecan Aesthetic: A Performance History (Classical Presences).Published in:2018By:Mayer, RolandPublication type:Book Review