Portrait of the Artist as an Old Man.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 833, doi. 10.1353/mod.2011.0078
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- Publication type:
- Article
Works matching IS 10716068 AND DT 2011 AND VI 18 AND IP 4
Results: 33
1
2
Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 801, doi. 10.1353/mod.2011.0095
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- Article
3
Demented Particulars: The Annotated "Murphy.".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 935, doi. 10.1353/mod.2011.0104
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- Article
4
"Scarcely Disfigured": Beckett's Surrealist Translations.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 739, doi. 10.1353/mod.2011.0107
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- Publication type:
- Article
5
An Interview with J. M. Coetzee.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 847, doi. 10.1353/mod.2011.0088
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- Publication type:
- Article
6
Beckett's Three Critiques: Kant's Bathos and the Irish Chandos.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 699, doi. 10.1353/mod.2011.0097
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- Publication type:
- Article
7
Samuel Beckett and the Postcolonial Novel.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 924, doi. 10.1353/mod.2011.0079
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- Publication type:
- Article
8
Introduction to Samuel Beckett, "Le Concentrisme" and "Jean du Chas".
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 881, doi. 10.1353/mod.2011.0113
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- Publication type:
- Article
9
Still Telling the Old Story.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 899, doi. 10.1353/mod.2011.0081
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- Article
10
Audience of Self / Audience of Reader.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 721, doi. 10.1353/mod.2011.0102
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- Publication type:
- Article
11
Beckett's Manuscripts in the Marketplace.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 823, doi. 10.1353/mod.2011.0105
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- Article
12
Shades of the Beckettian.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 913, doi. 10.1353/mod.2011.0091
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- Article
13
Beckett's Masculinity.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 933, doi. 10.1353/mod.2011.0099
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- Article
14
Untitled.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 839
- Publication type:
- Article
15
Beckett and the Laws of Habit.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 813, doi. 10.1353/mod.2011.0100
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- Publication type:
- Article
16
Words and Music: Camus, Beckett, Cage, Gould.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 928, doi. 10.1353/mod.2011.0089
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- Publication type:
- Article
17
Samuel Beckett in the Literary Marketplace.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 919, doi. 10.1353/mod.2011.0101
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- Publication type:
- Article
18
Barbara Bray: In Her Own Words.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 887
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- Publication type:
- Article
19
Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 931, doi. 10.1353/mod.2011.0094
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- Article
20
An Interview with John Banville.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 855, doi. 10.1353/mod.2011.0093
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- Publication type:
- Article
21
Beckett and Ireland.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 921, doi. 10.1353/mod.2011.0106
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- Publication type:
- Article
22
Samuel Beckett: History, Memory, Archive.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 926, doi. 10.1353/mod.2011.0084
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- Publication type:
- Article
23
Introduction to Samuel Beckett, "The New Object".
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 873, doi. 10.1353/mod.2011.0111
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- Publication type:
- Article
24
Samuel Beckett: Out of the Archive, An Introduction.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 673, doi. 10.1353/mod.2011.0087
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- Publication type:
- Article
25
Publishing Samuel Beckett.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 917, doi. 10.1353/mod.2011.0096
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- Article
26
Beckett's Murphy, Gide's Les Caves du Vatican, and the "Modern" Novel.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 771, doi. 10.1353/mod.2011.0085
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- Publication type:
- Article
27
Beckett and Disgust: The Body as "Laughing Matter".
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 681, doi. 10.1353/mod.2011.0092
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- Publication type:
- Article
28
"Le Concentrisme" and "Jean du Chas": Two Extracts.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 883, doi. 10.1353/mod.2011.0112
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- Article
29
The New Object.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 878, doi. 10.1353/mod.2011.0110
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- Publication type:
- Article
30
"Looking through my essuie-cul de réserve": The New Faber and Faber Beckett.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 907, doi. 10.1353/mod.2011.0086
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- Publication type:
- Article
31
Samuel Beckett, Wilhelm Windelband, and the Interwar "Philosophy Notes".
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 755, doi. 10.1353/mod.2011.0080
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- Publication type:
- Article
32
Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable.".
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 937, doi. 10.1353/mod.2011.0109
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- Publication type:
- Article
33
"Primeval mud impenetrable dark": Towards an Annotation of Comment c'est/How It Is.
- Published in:
- Modernism/Modernity, 2011, v. 18, n. 4, p. 789, doi. 10.1353/mod.2011.0090
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- Publication type:
- Article