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Beckett's Manuscripts in the Marketplace.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 823, doi. 10.1353/mod.2011.0105
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Introduction to Samuel Beckett, "Le Concentrisme" and "Jean du Chas".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 881, doi. 10.1353/mod.2011.0113
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Beckett and the Laws of Habit.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 813, doi. 10.1353/mod.2011.0100
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"Scarcely Disfigured": Beckett's Surrealist Translations.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 739, doi. 10.1353/mod.2011.0107
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Portrait of the Artist as an Old Man.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 833, doi. 10.1353/mod.2011.0078
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Demented Particulars: The Annotated "Murphy.".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 935, doi. 10.1353/mod.2011.0104
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Modern Manuscripts and Textual Epigenetics: Samuel Beckett's Works between Completion and Incompletion.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 801, doi. 10.1353/mod.2011.0095
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- Article
Audience of Self / Audience of Reader.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 721, doi. 10.1353/mod.2011.0102
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Words and Music: Camus, Beckett, Cage, Gould.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 928, doi. 10.1353/mod.2011.0089
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An Interview with J. M. Coetzee.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 847, doi. 10.1353/mod.2011.0088
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Beckett's Three Critiques: Kant's Bathos and the Irish Chandos.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 699, doi. 10.1353/mod.2011.0097
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Samuel Beckett and the Postcolonial Novel.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 924, doi. 10.1353/mod.2011.0079
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Samuel Beckett in the Literary Marketplace.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 919, doi. 10.1353/mod.2011.0101
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Still Telling the Old Story.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 899, doi. 10.1353/mod.2011.0081
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Beckett's Masculinity.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 933, doi. 10.1353/mod.2011.0099
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Shades of the Beckettian.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 913, doi. 10.1353/mod.2011.0091
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Untitled.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 839
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- Article
"Le Concentrisme" and "Jean du Chas": Two Extracts.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 883, doi. 10.1353/mod.2011.0112
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Women and Ireland as Beckett's Lost Others: Beyond Mourning and Melancholia.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 931, doi. 10.1353/mod.2011.0094
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Beckett and Ireland.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 921, doi. 10.1353/mod.2011.0106
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Barbara Bray: In Her Own Words.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 887
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"Primeval mud impenetrable dark": Towards an Annotation of Comment c'est/How It Is.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 789, doi. 10.1353/mod.2011.0090
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An Interview with John Banville.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 855, doi. 10.1353/mod.2011.0093
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Samuel Beckett: History, Memory, Archive.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 926, doi. 10.1353/mod.2011.0084
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Introduction to Samuel Beckett, "The New Object".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 873, doi. 10.1353/mod.2011.0111
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Samuel Beckett: Out of the Archive, An Introduction.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 673, doi. 10.1353/mod.2011.0087
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Publishing Samuel Beckett.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 917, doi. 10.1353/mod.2011.0096
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Beckett's Murphy, Gide's Les Caves du Vatican, and the "Modern" Novel.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 771, doi. 10.1353/mod.2011.0085
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Beckett and Disgust: The Body as "Laughing Matter".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 681, doi. 10.1353/mod.2011.0092
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The New Object.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 878, doi. 10.1353/mod.2011.0110
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"Looking through my essuie-cul de réserve": The New Faber and Faber Beckett.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 907, doi. 10.1353/mod.2011.0086
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Samuel Beckett, Wilhelm Windelband, and the Interwar "Philosophy Notes".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 755, doi. 10.1353/mod.2011.0080
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Impotence and Making in Samuel Beckett's Trilogy: "Molloy," "Malone Dies" and "The Unnamable.".
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 937, doi. 10.1353/mod.2011.0109
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- Article