Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 273, doi. 10.30535/mto.30.4.24
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- Article
Works matching IS 10673040 AND DT 2024 AND VI 30 AND IP 4
Results: 31
1
2
Gusti Putu Madé Geria's Theory for Balinese Gamelan.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 310, doi. 10.30535/mto.30.4.16
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- Publication type:
- Article
3
Translation of Martha Ulhôa de Tupinamba's "Métrica derramada: Musical Prosody in Brazilian Popular Song".
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 278, doi. 10.30535/mto.30.4.15
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- Publication type:
- Article
4
Embedded Music Theory: Oral Poetry, Rhythmic Language, and Drumming in Sri Lanka.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 243, doi. 10.30535/mto.30.4.13
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- Publication type:
- Article
5
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 351, doi. 10.30535/mto.30.4.25
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- Publication type:
- Article
6
Commentary: Reversed Images.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 356, doi. 10.30535/mto.30.4.28
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- Publication type:
- Article
7
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 268, doi. 10.30535/mto.30.4.21
- By:
- Publication type:
- Article
8
Who is Allowed to Be a Music Theorist? Sarah Mary Fitton and Conversations on Harmony (1855).
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 325, doi. 10.30535/mto.30.4.4
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- Publication type:
- Article
9
Performing Meter: Toward a Motive-Oriented Performance Practice for Post-Tonal Music.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 289, doi. 10.30535/mto.30.4.3
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- Publication type:
- Article
10
Here for the Hearing: Analyzing the Music in Musical Theater.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
11
Report: My Footsteps and Related Thoughts on the Systematic Construction of Linguistics of Music in the 21st Century.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 258, doi. 10.30535/mto.30.4.14
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- Publication type:
- Article
12
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 175, doi. 10.30535/mto.30.4.22
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- Publication type:
- Article
13
"At One End of the Endless Universe": Akira Nishimura's Interview with Isang Yun.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 231, doi. 10.30535/mto.30.4.12
- By:
- Publication type:
- Article
14
Translation of Shin Eun-Joo's "Two Theories of Ujo and Pyeongjo in Pansori: Comparing Baek Daewoong's and Lee Bohyeong's Theories of Pansori Modes" (2018).
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 142, doi. 10.30535/mto.30.4.14
- By:
- Publication type:
- Article
15
The Origins of Syncopation in Brazilian Music: An Unpublished Manuscript by Mário de Andrade.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 222, doi. 10.30535/mto.30.4.18
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- Publication type:
- Article
16
"Feel the Emptiness": Micro-Schemata in the Music of Henryk Mikołaj Górecki.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 209, doi. 10.30535/mto.30.4.2
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- Publication type:
- Article
17
Translation of the section on nuclear tones from Koizumi Fumio's "Research on Japanese Traditional Music".
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 134, doi. 10.30535/mto.30.4.12
- By:
- Publication type:
- Article
18
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 205, doi. 10.30535/mto.30.4.23
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- Publication type:
- Article
19
Music as Language of the Upper Realm: A Translation of Li Tsing-chu's A General Treatise on Music (1930/1933).
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 180, doi. 10.30535/mto.30.4.11
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- Publication type:
- Article
20
Introduction: Music Theory in the Plural.
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- Music Theory Online, 2024, v. 30, n. 4, p. 201, doi. 10.30535/mto.30.4.6
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- Publication type:
- Article
21
Julián Carrillo, Laws of Musical Metamorphosis, and the Landscape of Early Atonal Thought.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 66, doi. 10.30535/mto.30.4.17
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- Publication type:
- Article
22
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 116, doi. 10.30535/mto.30.4.27
- By:
- Publication type:
- Article
23
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 112, doi. 10.30535/mto.30.4.19
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- Publication type:
- Article
24
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 30, doi. 10.30535/mto.30.4.30
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- Publication type:
- Article
25
On the Ub?-Aka of the Igbo: An Interview with Gerald Eze.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 96, doi. 10.30535/mto.30.4.7
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- Publication type:
- Article
26
Translation of Dobri Hristov's "Metric and Rhythmic Fundamentals of Bulgarian Folk Music".
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 120, doi. 10.30535/mto.30.4.8
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- Publication type:
- Article
27
Commentary: Music Theory, Nationalism, and the "Invention" of Bulgarian Rhythm.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 61, doi. 10.30535/mto.30.4.20
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- Publication type:
- Article
28
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 91, doi. 10.30535/mto.30.4.23
- By:
- Publication type:
- Article
29
A Survey of the Impact of COVID-19 on Music Theorists.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 36, doi. 10.30535/mto.30.4.5
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- Publication type:
- Article
30
Commentary.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 24, doi. 10.30535/mto.30.4.29
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- Publication type:
- Article
31
Vocal Production, Mimesis, and Social Media in Bedroom Pop.
- Published in:
- Music Theory Online, 2024, v. 30, n. 4, p. 1, doi. 10.30535/mto.30.4.1
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- Publication type:
- Article