Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1, doi. 10.30535/mto.30.3.7
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Works matching IS 10673040 AND DT 2024 AND VI 30 AND IP 3
Results: 15
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MTO 30.3 Examples: Utne-Reitan, Ernst Friedrich Richter and the Birth of Modern Music Theory Pedagogy.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
- Publication type:
- Article
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MTO 30.3 Examples: Smither, Referents in the Palimpsests of Jazz.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
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- Article
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MTO 30.3 Examples: Short, Three Sailors, Three Personalities.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
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- Article
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Editor's Message.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
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- Article
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Referents in the Palimpsests of Jazz: Disentangling Theme from Improvisation in Recordings of Standard Jazz Tunes.
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- Music Theory Online, 2024, v. 30, n. 3, p. 180, doi. 10.30535/mto.30.3.6
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- Article
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Three Sailors, Three Personalities: Choreomusical Analysis of the Solo Variations in Fancy Free.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1, doi. 10.30535/mto.30.3.5
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- Article
8
On Meter and the Social Dynamics of Cueing in Bill Monroe's "Muleskinner Blues".
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- Music Theory Online, 2024, v. 30, n. 3, p. 1, doi. 10.30535/mto.30.3.4
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- Article
9
Mid-Exposition Modal Contrast and Francesco Galeazzi's "Characteristic Passage".
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- Music Theory Online, 2024, v. 30, n. 3, p. 1, doi. 10.30535/mto.30.3.3
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- Article
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Post-Recapitulatory Organization in Beethoven's Early Sonata-Rondo Finales.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1, doi. 10.30535/mto.30.3.2
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- Article
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MTO 30.3 Examples: Mitchell, On Meter and the Social Dynamics of Cueing in Bill Monroe's "Muleskinner Blues".
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
- Publication type:
- Article
12
MTO 30.3 Examples: Long, Mid-Exposition Modal Contrast and Francesco Galeazzi's "Characteristic Passage".
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
- Publication type:
- Article
13
MTO 30.3 Examples: Huguet, Hands, Fingers, Strings, and Bows.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
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- Article
14
MTO 30.3 Examples: Cole, Hands, Fingers, Strings, and Bows.
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- Music Theory Online, 2024, v. 30, n. 3, p. 1
- Publication type:
- Article
15
Hands, Fingers, Strings, and Bows: Performance Technique and Analysis in J.S. Bach's Largo for Solo Violin.
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- Music Theory Online, 2024, v. 30, n. 3, p. 73, doi. 10.30535/mto.30.3.1
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- Article