Prosodic Dissonance.
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- Music Theory Online, 2024, v. 30, n. 2, p. 116, doi. 10.30535/mto.30.2.6
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Works matching IS 10673040 AND DT 2024 AND VI 30 AND IP 2
Results: 7
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Pitch Registration and Harmonic Fields in Works of Pierre Boulez, Marco Stroppa, and Yukiko Watanabe.
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- Music Theory Online, 2024, v. 30, n. 2, p. 144, doi. 10.30535/mto.30.2.7
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- Article
3
A Thread of Recitative Ruffs: Schemas and Schenker's Analysis of "Erbarm es, Gott".
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- Music Theory Online, 2024, v. 30, n. 2, p. 1, doi. 10.30535/mto.30.2.1
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4
Gesture through the Lens of Pluridimensional Serialism in the Music of Camillo Togni.
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- Music Theory Online, 2024, v. 30, n. 2, p. 87, doi. 10.30535/mto.30.2.5
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5
A General Method for Composing a Canon Against a Cantus Firmus Using Sergei Taneev's Double-Shifting Counterpoint.
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- Music Theory Online, 2024, v. 30, n. 2, p. 64, doi. 10.30535/mto.30.2.4
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6
Formal Functions of Drum Patterns in Post-Millennial Pop Songs, 2012-2021.
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- Music Theory Online, 2024, v. 30, n. 2, p. 44, doi. 10.30535/mto.30.2.3
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- Article
7
Kaleidoscopic Topics in the Music of György Ligeti and Thomas Adès.
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- Music Theory Online, 2024, v. 30, n. 2, p. 23, doi. 10.30535/mto.30.2.2
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- Article