Sociable Musicopoetics in Vijay Iyer and Mike Ladd's In What Language.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1
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Works matching IS 10673040 AND DT 2022 AND VI 28 AND IP 3
Results: 8
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The Techne of YouTube Performance: Musical Structure, Extended Techniques, and Custom Instruments in Solo Pop Covers.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1, doi. 10.30535/mto.28.3.9
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- Article
3
Gestural Perspectives on Popular-Music Performance.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1
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- Article
4
Teleology in Verse-Prechorus-Chorus Form, 1965-2020.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1, doi. 10.30535/mto.28.3.8
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- Article
5
Sound Structures and Naked Fire Gestures in Cecil Taylor's Solo Piano Music.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1, doi. 10.30535/mto.28.3.7
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- Article
6
A Taxonomy of Orchestral Grouping Effects Derived from Principles of Auditory Perception.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1
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- Article
7
Reassessing the Plagal Cadence in Byrd and Morley.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1
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- Article
8
Returning to the Continuum: On the Value of Typological Distinctions in the Analysis of Improvisation.
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- Music Theory Online, 2022, v. 28, n. 3, p. 1, doi. 10.30535/mto.28.3.4
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- Article