Integration, Urbanity, and Multi-Dimensionality in Schoenberg's First Quartet.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.8
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Works matching IS 10673040 AND DT 2022 AND VI 28 AND IP 1
Results: 11
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Klangfarbenmelodie in 1911: Timbre's Functional Roles in Webern's Opp.9 and 10.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.9
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- Article
3
Was Mesopotamian Tuning Diatonic? A Parsimonious Answer.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.7
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- Article
4
Three Audiovisual Correspondences in the Main Title for Vertigo.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.6
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- Article
5
Tonal Ebb, Sunken II Chords, and Text-Music Correspondences in Robert Schumann's Lieder.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.5
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6
A Bevy of Biases: How Music Theory's Methodological Problems Hinder Diversity, Equity, and Inclusion.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.4
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- Article
7
Structural Density and Clarity, Technical Death Metal, and Anomalous's "Ohmnivalent".
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.3
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- Article
8
Conference report: "Dialogues: Analysis and Performance".
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- Music Theory Online, 2022, v. 28, n. 1, p. 1
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- Article
9
Switching the Backbeat: The Quick Flip and Polymetric Pogo in 1980s-era Rock Music.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.2
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- Article
10
Form as Harmony in Rock Music.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1
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- Article
11
Mixture Strategies: An Analytical Framework for Musical Hybridity.
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- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.1
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- Article