Editor's Message.
- Published in:
- Music Theory Online, 2020, v. 26, n. 2, p. 1
- Publication type:
- Article
Works matching IS 10673040 AND DT 2020 AND VI 26 AND IP 2
Results: 13
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Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert.
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- Music Theory Online, 2020, v. 26, n. 2, p. 264, doi. 10.30535/mto.26.2.5
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- Publication type:
- Article
3
Climax Building in Verismo Opera: Archetype and Variants.
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- Music Theory Online, 2020, v. 26, n. 2, p. 243, doi. 10.30535/mto.26.2.8
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- Publication type:
- Article
4
Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop.
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- Music Theory Online, 2020, v. 26, n. 2, p. 165, doi. 10.30535/mto.26.2.1
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- Publication type:
- Article
5
Reimagining Historical Improvisation: An Analysis of Robert Levin's Fantasy on Themes by W. A. Mozart, October 29, 2012.
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- Music Theory Online, 2020, v. 26, n. 2, p. 128, doi. 10.30535/mto.26.2.11
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- Publication type:
- Article
6
Retrospective Time and the Subdominant Past: Tonal Hermeneutics in Contemporary Broadway Megamusicals.
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- Music Theory Online, 2020, v. 26, n. 2, p. 106, doi. 10.30535/mto.26.2.6
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- Publication type:
- Article
7
Multi-Strand Musical Narratives: An Introduction.
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- Music Theory Online, 2020, v. 26, n. 2, p. 88, doi. 10.30535/mto.26.2.10
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- Publication type:
- Article
8
Consonance, Dissonance, and Formal Proportions in Two Works by Sofia Gubaidulina.
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- Music Theory Online, 2020, v. 26, n. 2, p. 1, doi. 10.30535/mto.26.2.7
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- Publication type:
- Article
9
Portmantonality and Babbitt's Poetics of Double Entendre.
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- Music Theory Online, 2020, v. 26, n. 2, p. 186, doi. 10.30535/mto.26.2.9
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- Publication type:
- Article
10
Dynamic Range Processing and Its Influence on Perceived Timing in Electronic Dance Music.
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- Music Theory Online, 2020, v. 26, n. 2, p. 152, doi. 10.30535/mto.26.2.3
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- Publication type:
- Article
11
Music Theory and the White Racial Frame.
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- Music Theory Online, 2020, v. 26, n. 2, p. 59, doi. 10.30535/mto.26.2.4
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- Publication type:
- Article
12
Orchestral Tissue, Subordinate Arabesques, and Turning Inward in Maurice Ravel's Boléro.
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- Music Theory Online, 2020, v. 26, n. 2, p. 20, doi. 10.30535/mto.26.2.2
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- Publication type:
- Article
13
Fanfare as Fulcrum: A Pivotal Event in Max Steiner's Theme for Warner Brothers.
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- Music Theory Online, 2020, v. 26, n. 2, p. 39, doi. 10.30535/mto.26.2.12
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- Article