On the Russian Concept of Lād, 1830-1945.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.4
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Works matching IS 10673040 AND DT 2019 AND VI 25 AND IP 4
Results: 8
1
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Plateau Loops and Hybrid Tonics in Recent Pop Music.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.3
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- Article
3
Editor's Message.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1
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- Article
4
Challenging Some Misconceptions about the Règle de l'octave.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.5
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- Article
5
Beyond Mere Novelty: Timbre as Primary Structural Marker in Ravel's Piano Concerto in G Major.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.1
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- Article
6
Three Multifaceted Compositions by Wayne Shorter: "E.S.P.," "Infant Eyes," and "Virgo".
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.2
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- Article
7
Music in Time: Phenomenology, Perception, Performance.
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.6
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- Article
8
Conference Report: "Come Together: Fifty Years of Abbey Road".
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- Music Theory Online, 2019, v. 25, n. 4, p. 1, doi. 10.30535/mto.25.4.7
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- Article