Comprehensibility and Ben Johnston's String Quartet No. 9.
- Published in:
- Music Theory Online, 2019, v. 25, n. 1, p. 188, doi. 10.30535/mto.25.1.6
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- Publication type:
- Article
Works matching IS 10673040 AND DT 2019 AND VI 25 AND IP 1
Results: 11
1
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Lyric, rhythm, and non-alignment in the second verse of Kendrick Lamar's "Momma".
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- Music Theory Online, 2019, v. 25, n. 1, p. 173
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- Article
3
Middleground Structure in the Cadenza to Boulez's Éclat.
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- Music Theory Online, 2019, v. 25, n. 1, p. 153, doi. 10.30535/mto.25.1.4
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- Article
4
What is Musical Meaning? Theorizing Music as Performative Utterance.
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- Music Theory Online, 2019, v. 25, n. 1, p. 113
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- Article
5
Harmony in Ellio's Late Music.
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- Music Theory Online, 2019, v. 25, n. 1, p. 92, doi. 10.30535/mto.25.1.3
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- Publication type:
- Article
6
This Flow Ain't Free: Generative Elements in Kendrick Lamar's To Pimp a Butterfly.
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- Music Theory Online, 2019, v. 25, n. 1, p. 81, doi. 10.30535/mto.25.1.11
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- Publication type:
- Article
7
We Gon' Be Alright? The Ambiguities of Kendrick Lamar's Protest Anthem.
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- Music Theory Online, 2019, v. 25, n. 1, p. 57, doi. 10.30535/mto.25.1.9
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- Article
8
Improvisatory Exercises as Analytical Tool: The Group Dynamics of the Gruppo di Improvvisazione Nuova Consonanza.
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- Music Theory Online, 2019, v. 25, n. 1, p. 43, doi. 10.30535/mto.25.1.1
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- Article
9
Music Theory as Social Justice: Pedagogical Applications of Kendrick Lamar's To Pimp A Butterfly.
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- Music Theory Online, 2019, v. 25, n. 1, p. 1, doi. 10.30535/mto.25.1.8
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- Article
10
Extreme Hardcore Punk and the Analytical Challenges of Rhythm, Riffs, and Timbre in Punk Music.
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- Music Theory Online, 2019, v. 25, n. 1, p. 29, doi. 10.30535/mto.25.1.5
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- Article
11
"I got a bone to pick": Formal Ambivalence and Double Consciousness in Kendrick Lamar's "King Kunta".
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- Music Theory Online, 2019, v. 25, n. 1, p. 14, doi. 10.30535/mto.25.1.12
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- Publication type:
- Article