Four Studies of Charlie Parker's Compositional Processes.
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 88, doi. 10.30535/mto.24.2.3
- By:
- Publication type:
- Article
Works matching IS 10673040 AND DT 2018 AND VI 24 AND IP 2
Results: 7
1
2
Feedback and Feedforward Models of Musical Key.
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 57, doi. 10.30535/mto.24.2.4
- By:
- Publication type:
- Article
3
Visualizing Peter: The First Animated Adaptations of Prokofiev's Peter and the Wolf.
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 43, doi. 10.30535/mto.24.2.7
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- Publication type:
- Article
4
Review of The Cambridge Companion to the Singer-Songwriter, ed. Katherine Williams and Justin A. Williams (Cambridge University Press, 2016).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
5
Introduction: Prokofiev at 125.
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 36, doi. 10.30535/mto.24.2.5
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- Publication type:
- Article
6
Spectral Meter: Dramatizing Entrainment and Communicating Form in Gérard Grisey's Vortex Temporum I (1994-96).
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 17, doi. 10.30535/mto.24.2.1
- By:
- Publication type:
- Article
7
Musical Mimesis in Orphans of the Storm.
- Published in:
- Music Theory Online, 2018, v. 24, n. 2, p. 1, doi. 10.30535/mto.24.2.2
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- Publication type:
- Article