Review of Gavin Dixon, ed., Schnittke Studies (Routledge, 2017).
- Published in:
- 2018
- By:
- Publication type:
- Book Review
Works matching IS 10673040 AND DT 2018 AND VI 21 AND IP 4
Results: 16
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Polarization, Modal Orientation, and Voice Leading: Interaction between Hierarchical Levels of Tonal Structure in Dohnányi's op. 26.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 224, doi. 10.30535/mto.24.4.13
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- Publication type:
- Article
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Sequences: Between Affirmation and Destruction of Tonality.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 215, doi. 10.30535/mto.24.4.14
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- Publication type:
- Article
4
Harmonic Vectors and the Constraints of Tonality.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 206, doi. 10.30535/mto.24.4.11
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- Publication type:
- Article
5
European Perspectives on Recent Tonal Theories, Their Models, and Analytical Tools.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 195, doi. 10.30535/mto.24.4.9
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- Publication type:
- Article
6
Susanna's "Deh vieni".
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 170, doi. 10.30535/mto.24.4.5
- By:
- Publication type:
- Article
7
Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 134, doi. 10.30535/mto.24.4.1
- By:
- Publication type:
- Article
8
Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The Changing Status of the Directional Tendency of Root Progressions in Madrigal Cycles from Verdelot to Monteverdi (c. 1530-1638).
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 119, doi. 10.30535/mto.24.4.8
- By:
- Publication type:
- Article
9
Editorial Markings as Analysis in Bach's Partita No. 1 for Solo Violin, "Corrente".
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 105, doi. 10.30535/mto.24.4.4
- By:
- Publication type:
- Article
10
Animated Performance: 'Better' Music Means Larger Motions.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 94, doi. 10.30535/mto.24.4.6
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- Publication type:
- Article
11
Queue the Roll: Taylorized Labor Practices and Music of the Machine Age.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 70, doi. 10.30535/mto.24.4.7
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- Publication type:
- Article
12
Parsimonious Voice Leading and the Stimmführungsmodelle.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 60, doi. 10.30535/mto.24.4.12
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- Publication type:
- Article
13
Fundamental Bass and Real Bass in Dialogue: Tonal Aspects of the Structural Modes.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 47, doi. 10.30535/mto.24.4.10
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- Publication type:
- Article
14
The Individual Tone and Musical Context in Albert Simon's Tonfeldtheorie.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 37, doi. 10.30535/mto.24.4.15
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- Publication type:
- Article
15
Koch, Carpani, and Momigny: Theorists of Agency in the Classical String Quartet?
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 18, doi. 10.30535/mto.24.4.3
- By:
- Publication type:
- Article
16
Horizontal-Shifting Counterpoint and Parallel-Section Constructions in Contrapuncti 8 and 11 from J. S. Bach's Art of Fugue.
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 1, doi. 10.30535/mto.24.4.2
- By:
- Publication type:
- Article