Glenn Gould, Spliced: Investigating the Filmmaking Analogy.
- Published in:
- Music Theory Online, 2016, v. 22, n. 4, p. 1, doi. 10.30535/mto.22.4.1
- By:
- Publication type:
- Article
Works matching IS 10673040 AND DT 2016 AND VI 22 AND IP 4
Results: 8
1
2
Instruments of Music Theory.
- Published in:
- Music Theory Online, 2016, v. 22, n. 4, p. 1, doi. 10.30535/mto.22.4.4
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- Publication type:
- Article
3
Reconceiving Structure in Contemporary Music.
- Published in:
- 2016
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- Publication type:
- Book Review
4
Improvisation as a Way of Knowing.
- Published in:
- Music Theory Online, 2016, v. 22, n. 4, p. 1, doi. 10.30535/mto.22.4.2
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- Publication type:
- Article
5
Text and Temporality: Toward an Understanding of Rhythmic Irregularities in the Music of Tom Waits.
- Published in:
- Music Theory Online, 2016, v. 22, n. 4, p. 1, doi. 10.30535/mto.22.4.5
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- Publication type:
- Article
6
Beating Time & Measuring Music in the Early Modern Era.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
7
Pitch Properties of the Pedal Harp, with an Interactive Guide.
- Published in:
- Music Theory Online, 2016, v. 22, n. 4, p. 1, doi. 10.30535/mto.22.4.3
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- Publication type:
- Article
8
Formal Functions in Perspective: Essays on Musical Form from Haydn to Adorno.
- Published in:
- 2016
- By:
- Publication type:
- Book Review