Genus, Species and Mode in Vicentino's 31-tone Compositional Theory.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.7
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- Publication type:
- Article
Works matching IS 10673040 AND DT 2014 AND VI 20 AND IP 2
Results: 9
1
2
Dissonant Harmony and "Seed-Tones": Organicism in the Piano Music of Dane Rudhyar.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.6
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- Publication type:
- Article
3
Total Voice Leading.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.5
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- Publication type:
- Article
4
"Musical Form: Mapping the Territories": A Conference Report.
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- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.9
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- Publication type:
- Article
5
Assimilate: A Critical History of Industrial Music.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
6
Asking queStions / maKing musIc: listeniNg, analysis, and caGe.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.4
- By:
- Publication type:
- Article
7
Unpacking the Box in Frescobaldi's Ricercari of 1615.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.3
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- Publication type:
- Article
8
Combination-Tone Class Sets and Redefining the Role of les Couleurs in Claude Vivier's Bouchara.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.2
- By:
- Publication type:
- Article
9
Formal Functions of Metric Dissonance in Rock Music.
- Published in:
- Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.1
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- Publication type:
- Article