Review of Matthew Bribitzer-Stull, Anthology for Analysis and Performance (Oxford University Press, 2014).
- Published in:
- 2013
- By:
- Publication type:
- Book Review
Works matching IS 10673040 AND DT 2013 AND VI 19 AND IP 4
Results: 8
1
2
Crossing Over with Brad Mehldau's Cover of Radiohead's "Paranoid Android": The Role of Jazz Improvisation in the Transformation of an Intertext.
- Published in:
- Music Theory Online, 2013, v. 19, n. 4, p. 1, doi. 10.30535/mto.19.4.4
- By:
- Publication type:
- Article
3
A Foreign Sound to Your Ear: Bob Dylan Performs "It's Alright, Ma (I'm Only Bleeding)," 1964-2009.
- Published in:
- Music Theory Online, 2013, v. 19, n. 4, p. 1, doi. 10.30535/mto.19.4.3
- By:
- Publication type:
- Article
4
Conference Report: Inaugural Meeting of the Russian Society for Music Theory (OTM).
- Published in:
- 2013
- By:
- Publication type:
- Proceeding
5
Review of Allan Moore, Song Means: Analyzing and Interpreting Recorded Popular Song (Ashgate, 2012).
- Published in:
- 2013
- By:
- Publication type:
- Book Review
6
Pastorals, Passepieds, and Pendants: Interpreting Characterization Through Aria Pairs in Handel's Rodelinda.
- Published in:
- Music Theory Online, 2013, v. 19, n. 4, p. 1, doi. 10.30535/mto.19.4.1
- By:
- Publication type:
- Article
7
Review of Dora Hanninen, A Theory of Music Analysis: On Segmentation and Associative Organization. Eastman Studies in Music (University of Rochester Press, 2012).
- Published in:
- 2013
- By:
- Publication type:
- Book Review
8
Hollywood Cadences: Music and the Structure of Cinematic Expectation.
- Published in:
- Music Theory Online, 2013, v. 19, n. 4, p. 1, doi. 10.30535/mto.19.4.2
- By:
- Publication type:
- Article