Charlie Parker and "Honeysuckle Rose": Voice Leading, Formula, and Motive.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.6
- By:
- Publication type:
- Article
Works matching IS 10673040 AND DT 2012 AND VI 18 AND IP 3
Results: 15
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"Possible Paths": Schemata of Phrasing and Melody in Charlie Parker's Blues.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.5
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- Publication type:
- Article
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Expressive Meaning and Musical Structure, Chapter 1 of Schenkerian Analysis: Pattern, Form, and Expressive Meaning.
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- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.11
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- Article
4
Ambiguity: Another Listen.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.9
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- Publication type:
- Article
5
Guest Editors' Introduction: "The More Questions, The Better".
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.1
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- Publication type:
- Article
6
Review of Richard Cohn, Audacious Euphony: Chromaticism and the Triad's Second Nature (Oxford University Press, 2012).
- Published in:
- 2012
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- Publication type:
- Book Review
7
Other Good Bridges: Continuity and Debussy's "Reflets dans l'eau".
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.10
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- Publication type:
- Article
8
Review of Steven Rings, Tonality and Transformation (Oxford University Press, 2011).
- Published in:
- 2012
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- Publication type:
- Book Review
9
Review of Suzannah Clark, Analyzing Schubert (Cambridge University Press, 2011).
- Published in:
- 2012
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- Publication type:
- Book Review
10
Schenker and the Tonal Jazz Repertory: A Response to Martin.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.7
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- Publication type:
- Article
11
Ambiguity of Tonal Meaning in Chopin's Prelude op. 28, no. 22.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.8
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- Publication type:
- Article
12
Applying Schenkerian Theory to Mainstream Jazz: A Justification for an Orthodox Approach.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.4
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- Publication type:
- Article
13
Musical Forces and Agential Energies: An Expansion of Steve Larson's Model.
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- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.3
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- Publication type:
- Article
14
Review of Giorgio Sanguinetti, The Art of Partimento: History, Theory, and Practice (Oxford University Press, 2012).
- Published in:
- 2012
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- Publication type:
- Book Review
15
Musical Forces and Interpretation: Some Thoughts on a Measure in Mahler.
- Published in:
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.2
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- Publication type:
- Article