The Subterranean Performance of History between Harlem and Rome in William Demby's The Catacombs.Published in:2014By:Marzioli, SaraPublication type:Literary Criticism
Bob Kaufman and the Limits of Jazz.Published in:2014By:Rice, H. WilliamPublication type:Poetry Review
Under Lynching's Shadow: Grimké's Call for Domestic Reconfiguration in Rachel.Published in:2014By:Jansen, Anne Mai YeePublication type:Literary Criticism
L as Language: Love and Ethics.Published in:2014By:Wallace, Cynthia R.Publication type:Literary Criticism
LeRoi Jones's Radio and the Literary "Break" from Ellison to Burroughs.Published in:African American Review, 2014, v. 47, n. 2/3, p. 357, doi. 10.1353/afa.2014.0042By:Harrison, K. C.Publication type:Article
"A Twentieth-Century Abolitionist": John Beecher's Plainspoken Poetry.Published in:2014By:Diller, Christopher G.Publication type:Poetry Review
The Slave Trade as Memory and History: James A. Emanuel's "The Middle Passage Blues" and Robert Hayden's "Middle Passage".Published in:2014By:Lambert, RaphaëlPublication type:Poetry Review
Creative Multivalence: Social Engagement beyond Naturalism in Gwendolyn Brooks's Maud Martha.Published in:2014By:Ahern, Megan K.Publication type:Literary Criticism
Walking Around the Fences: Troy Maxson and the Ideology of "Going Down Swinging".Published in:2014By:Letzler, DavidPublication type:Literary Criticism
With Names, No Coincidence: Colson Whitehead's Postracial Puritan Allegory.Published in:2014By:Leise, ChristopherPublication type:Literary Criticism
Dubwise into the Future: Versioning Modernity in Nalo Hopkinson.Published in:2014By:Sorensen, LeifPublication type:Literary Criticism
One Blues Invisible: Civil Rights and Civil Religion in Ralph Ellison's Second Novel.Published in:2014By:Harriss, M. CooperPublication type:Literary Criticism
"Oh, Catfish and Turnip Greens": Black Oral Traditions in the Poetry of Marilyn Nelson.Published in:2014By:Kelley Woolfitt, WilliamPublication type:Poetry Review