Black Orpheus: Music in African American Fiction from the Harlem Renaissance to Toni Morrison.Published in:2003By:Jimoh, A. YemisiPublication type:Book Review
Robert Hayden: Essays on the Poetry.Published in:2003By:Oehlschlaeger, FritzPublication type:Book Review
A Langston Hughes Encyclopedia.Published in:2003By:Harper, Donna Akiba SullivanPublication type:Book Review
Black Male Fiction and the Legacy of Caliban.Published in:2003By:Clark, KeithPublication type:Book Review
The Daughter's Return: African-American and Caribbean Women's Fictions of History.Published in:2003By:Hathaway, HeatherPublication type:Book Review
Strange Fruit: Billie Holiday, Café Society, and an Early Cry for Civil Rights.Published in:2003By:Daniels, Douglas HenryPublication type:Book Review
Deep River: Music and Memory in Harlem Renaissance Thought.Published in:2003By:Porter, EricPublication type:Book Review
Black Identity and Black Protest in the Antebellum North.Published in:2003By:Holloway, Jonathan ScottPublication type:Book Review
Impossible Witnesses: Truth, Abolitionism, and Slave Testimony.Published in:2003By:Burr, SandraPublication type:Book Review
African American Autobiographers: A Sourcebook.Published in:2003By:Deck, Alice A.Publication type:Book Review
Langston Hughes's "Mississippi—1955": A Note on Revisions and an Appeal for Reconsideration.Published in:2003By:Metress, ChristopherPublication type:Literary Criticism
"Is Race a Trope?": Anna Deavere Smith and the Question of Racial Performativity.Published in:2003By:Thompson, DebbyPublication type:Literary Criticism
"We's the Leftovers": Whiteness as Economic Power and Exploitation in August Wilson's Twentieth-Century Cycle of Plays.Published in:2003By:Üsekes, ÇiğdemPublication type:Literary Criticism
Master-Slave Dialectics in Charles Johnson's "The Education of Mingo."Published in:2003By:Selzer, LindaPublication type:Literary Criticism
Truth in Timbre: Morrison's Extension of Slave Narrative Song in "Beloved."Published in:2003By:Capuano, Peter J.Publication type:Literary Criticism
"1 + 1 = 3" and Other Dilemmas: Reading Vertigo in "Invisible Man," "My Life in the Bush of Ghosts," and "Song of Solomon."Published in:2003By:Thomas, Valorie D.Publication type:Literary Criticism
Transgressing Race and Community in Chester Himes's "If He Hollers Let Him Go."Published in:2003By:Itagaki, Lynn M.Publication type:Literary Criticism
Call-and-Response: Tracing the Ideological Shifts of Richard Wright through His Correspondence with Friends and Fellow Literati.Published in:2003By:Briones, Matthew M.Publication type:Literary Criticism
Richard Wright's "Lawd Today!" and the Political Uses of Modernism.Published in:2003By:Costello, BrannonPublication type:Literary Criticism
"This Strange Communion": Surveillavce and Spectatorship in Ann Petry's "The Street."Published in:2003By:Hicks, HeatherPublication type:Literary Criticism
Other Nature: Resistance to Ecological Hegemony in Charles W. Chesnutt's "The Conjure Woman."Published in:2003By:Myers, JeffreyPublication type:Literary Criticism