Like the Singing Coming Off the Drums.Published in:2000By:Yeshinobu HakutaniPublication type:Book Review
Blue as the Lake: A Personal Geography.Published in:2000By:Callahan, John F.Publication type:Book Review
Jamaica Kincaid: Where the Land Meets the BodyPublished in:2000By:Nagel, JamesPublication type:Book Review
Toni Morrison: Contemporary Critical Essays.Published in:2000By:Hubbard, MaryPublication type:Book Review
Charles W. Chesnutt: A Study of the Short Fiction.Published in:2000By:Slote, BenPublication type:Book Review
The Jim Dilemma: Reading Race in "Huckleberry Finn."Published in:2000By:Quirk, TomPublication type:Book Review
The Trials of Anthony Burns: Freedom and Slavery in Emerson's Boston.Published in:2000By:Rowe, John CarlosPublication type:Book Review
Frederick Douglass: Freedom's Voice, 1818-1845.Published in:2000By:Miller, Leslie R.Publication type:Book Review
The Feminist Difference: Literature, Psychoanalysis, Race, and Gender.Published in:2000By:Tate, ClaudiaPublication type:Book Review
Black Chant: Languages of African-American Postmodernism.Published in:2000By:Thomas, LorenzoPublication type:Book Review
Resistance, Parody, and Double Consciousness in African American Theatre, 1895-1910.Published in:2000By:Gray, Christine R.Publication type:Book Review
Trouble in Mind: Black Southerners in the Age of Jim Crow.Published in:2000By:Gatewood, Willard B.Publication type:Book Review
Reading the Scars: Rita Dove's "The Darker Face of the Earth."Published in:2000By:Carlisle, TheodoraPublication type:Literary Criticism
The Worm Against the Word: The Hermeneutical Challenge in Hurston's "Jonah's Gourd Vine."Published in:2000By:Ciuba, GaryPublication type:Literary Criticism
Civil Rights and Social Wrongs: Black-White Relations Since World War II.Published in:2000By:Matusow, Allen J.Publication type:Book Review
Embodying Cultural Memory in Paule Marshall's "Praisesong for the Widow."Published in:2000By:Rogers, SusanPublication type:Literary Criticism
The Story Must Go On and On: The Fantastic, Narration, and Intertextuality in Toni Morrison's "Beloved" and "Jazz."Published in:2000By:Cutter, Martha J.Publication type:Literary Criticism
No Accident: From Black Power to Black Box Office.Published in:2000By:Lyne, WilliamPublication type:Literary Criticism
Unmasking the Genteel Performer: Elizabeth Keckley's "Behind the Scenes" and the Politics of Public Wrath.Published in:2000By:Sorisio, CarolynPublication type:Literary Criticism
Raising Voices, Lifting Shadows: Competing Voice-Paradigms in Frances E. W. Harper's "Iola Leroy."Published in:2000By:Christmann, JamesPublication type:Literary Criticism