How Do We Look? Resisting Visual Biopolitics, Fatimah Tobing Rony (2022).
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- Asian Cinema, 2023, v. 34, n. 2, p. 233, doi. 10.1386/ac_00073_5
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Works matching IS 1059440X AND DT 2023 AND VI 34 AND IP 2
Results: 6
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Documenting Chinese homecomings: Reflexive aesthetics and cinematic memories in Four Springs (2017) and The Reunions (2020).
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- Asian Cinema, 2023, v. 34, n. 2, p. 215, doi. 10.1386/ac_00072_1
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- Article
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The revolutionary subject: Masao Adachi and Red Army/PFLP: Declaration of World War.
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- Asian Cinema, 2023, v. 34, n. 2, p. 199, doi. 10.1386/ac_00071_1
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4
'Luso-orientalism': Portuguese Asian 'imagined communities' in Estado Novo film propaganda.
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- Asian Cinema, 2023, v. 34, n. 2, p. 177, doi. 10.1386/ac_00070_1
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- Article
5
Sisworo Gautama Putra's Primitives and the paradox of savagery.
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- Asian Cinema, 2023, v. 34, n. 2, p. 161, doi. 10.1386/ac_00069_1
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- Article
6
Moving between worlds: Performance, the scene of empathy and flexible identity in Infernal Affairs.
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- Asian Cinema, 2023, v. 34, n. 2, p. 141, doi. 10.1386/ac_00068_1
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- Article