Kitano Takeshi's 'melancholic nationalism' and the role of Koreans in the Outrage trilogy.
- Published in:
- Asian Cinema, 2022, v. 33, n. 1, p. 37, doi. 10.1386/ac_00046_1
- By:
- Publication type:
- Article
Works matching IS 1059440X AND DT 2022 AND VI 33 AND IP 1
Results: 6
1
2
A report on FIRST International Film Festival and an interview with young filmmakers.
- Published in:
- 2022
- By:
- Publication type:
- Interview
3
East–West rewriting and recontextualization: Approaching Rashōmon (Akira Kurosawa) and its afterlives from adaptation theory.
- Published in:
- Asian Cinema, 2022, v. 33, n. 1, p. 55, doi. 10.1386/ac_00047_1
- By:
- Publication type:
- Article
4
From Chinese independent cinema to art cinema: Convergence and divergence.
- Published in:
- Asian Cinema, 2022, v. 33, n. 1, p. 3, doi. 10.1386/ac_00044_1
- By:
- Publication type:
- Article
5
Stanley Kwan's Center Stage : A feminist film in a postmodern frame.
- Published in:
- Asian Cinema, 2022, v. 33, n. 1, p. 21, doi. 10.1386/ac_00045_1
- By:
- Publication type:
- Article
6
Hegemonic Mimicry: Korean Popular Culture of the Twenty-First Century, Kyung Hyun Kim (2021).
- Published in:
- 2022
- By:
- Publication type:
- Book Review