Wang was missing: Rediscovering Wayne Wang's independence.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 63, doi. 10.1386/ac.29.1.63_1
- By:
- Publication type:
- Article
Works matching IS 1059440X AND DT 2018 AND VI 29 AND IP 1
Results: 9
1
2
Entering the cinema of attractions' Matrix: Yuen Wo-Ping's merging of Hollywood spectacle with kungfu choreography.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 81, doi. 10.1386/ac.29.1.81_1
- By:
- Publication type:
- Article
3
East-West flows: Cinematic currents between China and the United States.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 3, doi. 10.1386/ac.29.1.3_2
- By:
- Publication type:
- Article
4
Leukocentric Hollywood: Whitewashing, Alohagate and the dawn of Hollywood with Chinese characteristics.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 133, doi. 10.1386/ac.29.1.133_1
- By:
- Publication type:
- Article
5
Modernizing primordialism: Deterritorializing Chineseness and reterritorializing the sinophone in Crouching Tiger, Hidden Dragon.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 99, doi. 10.1386/ac.29.1.99_1
- By:
- Publication type:
- Article
6
Hong Kong in the Hollywood imaginary: Deterritorialization and reterritorialization in John Woo's A Better Tomorrow and The Killer.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 15, doi. 10.1386/ac.29.1.15_1
- By:
- Publication type:
- Article
7
Book Review.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 163, doi. 10.1386/ac.29.1.163_5
- By:
- Publication type:
- Article
8
A taste of home: Emotional transnationalism and China Lion Film Distribution in the United States.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 117, doi. 10.1386/ac.29.1.117_1
- By:
- Publication type:
- Article
9
King Hu in Hollywood: Making The Battle of Ono.
- Published in:
- Asian Cinema, 2018, v. 29, n. 1, p. 37, doi. 10.1386/ac.29.1.37_1
- By:
- Publication type:
- Article