Works matching IS 1059440X AND DT 2015 AND VI 26 AND IP 1
Results: 9
A 'narrow world, strewn withprohibitions': Chang Cheh'sThe Assassin and the 1967Hong Kong riots.
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- Asian Cinema, 2015, v. 26, n. 1, p. 79, doi. 10.1386/ac.26.1.79_1
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- Article
Looking at Foreign Sky, desperately seeking post- Asia: Soni Kum, Nagisa Oshima, Ri Chin'u.
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- Asian Cinema, 2015, v. 26, n. 1, p. 7, doi. 10.1386/ac.26.1.7_1
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- Article
Chinese lyrical tradition and the Taiwan new cinema: The case of Hou Hsiao-hsien.
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- Asian Cinema, 2015, v. 26, n. 1, p. 61, doi. 10.1386/ac.26.1.61_1
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Book Review.
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- Asian Cinema, 2015, v. 26, n. 1, p. 117, doi. 10.1386/ac.26.1.177_5
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Editorial.
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- Asian Cinema, 2015, v. 26, n. 1, p. 3, doi. 10.1386/ac.26.1.3_2
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Worker, peasant, soldier ... middle class? Class figures in Jia Zhangke's 24 City.
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- Asian Cinema, 2015, v. 26, n. 1, p. 43, doi. 10.1386/ac.26.1.43_1
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- Article
Revitalizing cinematic potential under authoritarian rule: Reporting from the second edition of the Human Rights Human Dignity International Film Festival (HRHDIFF), Yangon, Myanmar, 15-19 June 2014.
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- Asian Cinema, 2015, v. 26, n. 1, p. 121, doi. 10.1386/ac.26.1.121_1
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- Article
Alternative locality: Geopolitics and cultural identity in Ann Hui's A Simple Life.
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- Asian Cinema, 2015, v. 26, n. 1, p. 23, doi. 10.1386/ac.26.1.23_1
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- Article
Hybridization, appropriation and identity: Moving images of Singapore artists Ho Tzu Nyen and Ming Wong.
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- Asian Cinema, 2015, v. 26, n. 1, p. 99, doi. 10.1386/ac.26.1.99_1
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- Article