Are women included in history? The debate of micro-history and macro-history in Hou Hsiao-hsien's film, A City of Sadness.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 49, doi. 10.1386/ac.25.1.49_1
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- Publication type:
- Article
Works matching IS 1059440X AND DT 2014 AND VI 25 AND IP 1
Results: 9
1
2
Bentu: Marketplace and sentiments of contemporary Taiwan cinema.
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- Asian Cinema, 2014, v. 25, n. 1, p. 7, doi. 10.1386/ac.25.1.7_7
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- Article
3
Review.
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- Asian Cinema, 2014, v. 25, n. 1, p. 111, doi. 10.1386/ac.25.1.111_5
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- Publication type:
- Article
4
Ghosts in the Theatre: Generic play and temporality in Tsai Ming-liang's Goodbye, Dragon Inn.
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- Asian Cinema, 2014, v. 25, n. 1, p. 33, doi. 10.1386/ac.25.1.33_1
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- Publication type:
- Article
5
Review: Workshop on Indonesian cinema, Royal Asiatic Society, The Centre for South East Asian Studies at SOAS, University of London, 17-18 October.
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- Asian Cinema, 2014, v. 25, n. 1, p. 105, doi. 10.1386/ac.25.1.105_7
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- Publication type:
- Article
6
Branded city living: Taipei becoming-Paris in Yi ye Taibei/Au Revoir Taipei (2010).
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 15, doi. 10.1386/ac.25.1.15_1
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- Publication type:
- Article
7
Globalization's bottom: Subtitle and switch in Wang Yu-Lin's Taiwanese dialect films.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 93, doi. 10.1386/ac.25.1.93_1
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- Publication type:
- Article
8
The Sandwich Man: History, episodicity and serial conditioning in a Taiwanese omnibus film.
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- Asian Cinema, 2014, v. 25, n. 1, p. 71, doi. 10.1386/ac.25.1.71_1
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- Article
9
Editorial.
- Published in:
- Asian Cinema, 2014, v. 25, n. 1, p. 3, doi. 10.1386/ac.25.1.3_2
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- Publication type:
- Article