If You Were in My Sneakers: Migration Stories in the Studio Photography of Dakar-Based Omar Victor Diop.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 38, doi. 10.1111/var.12120
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- Publication type:
- Article
Works matching IS 10587187 AND DT 2017 AND VI 33 AND IP 1
Results: 13
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'The Red Kiss of the Past That Does Not Pass': State Socialism in Albanian Visual Art Today.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 51, doi. 10.1111/var.12121
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- Publication type:
- Article
3
Censorship and Ethnographic Film: Confronting State Bureaucracies, Cultural Regulation, and Institutionalized Homophobia in India.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 62, doi. 10.1111/var.12122
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- Publication type:
- Article
4
Atlas of Dreams: Unveiling the Invisible in the San Francisco Bay Area.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 74, doi. 10.1111/var.12123
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- Publication type:
- Article
5
Masculinity, Toxicity, Value, and Film.
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- Visual Anthropology Review, 2017, v. 33, n. 1, p. 89, doi. 10.1111/var.12124
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- Publication type:
- Article
6
Focus on the Philippines: Films from the Margins.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 93, doi. 10.1111/var.12125
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- Publication type:
- Article
7
In Search of a Lost Avant-Garde: An Anthropologist Investigates the Contemporary Art Museum.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 97, doi. 10.1111/var.12126
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- Publication type:
- Article
8
Swedish Design: An Ethnography.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 98, doi. 10.1111/var.12127
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- Publication type:
- Article
9
Soulmaker: The Times of Lewis Hine.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 100, doi. 10.1111/var.12128
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- Article
10
Issue Information.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 1, doi. 10.1111/var.12115
- Publication type:
- Article
11
The Imperial Condition of Photography in Palestine: Archives, Looting, and the Figure of the Infiltrator.
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- Visual Anthropology Review, 2017, v. 33, n. 1, p. 5, doi. 10.1111/var.12117
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- Article
12
Framing Visual Politics: Photography of the Wall in Palestine.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 18, doi. 10.1111/var.12118
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- Article
13
Let There Be Light: Wauja People and the Practice of Photographic Primitivism in Sebastião Salgado's Genesis.
- Published in:
- Visual Anthropology Review, 2017, v. 33, n. 1, p. 28, doi. 10.1111/var.12119
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- Publication type:
- Article