An Examination of Don Walker's Style of Orchestration in The Pajama Game, The Most Happy Fella, and The Music Man.Published in:American Music Research Center Journal, 2010, v. 19, p. 41By:Purin, PeterPublication type:Article
The Actor's Voice: The Non-Singing Lead in Broadway Musicals of the 1950s.Published in:American Music Research Center Journal, 2010, v. 19, p. 23By:Campbell, Sharon O'ConnellPublication type:Article
"Am I King or Am I Not King?" Conflict, Gender, and Reconciliation in The King and I.Published in:American Music Research Center Journal, 2010, v. 19, p. 13By:Hsun LinPublication type:Article
George Abbott's Contribution to Musical Comedy Through the 1950s.Published in:American Music Research Center Journal, 2010, v. 19, p. 1By:Stoner-Hawkins, SylviaPublication type:Article
Introduction.Published in:American Music Research Center Journal, 2010, v. 19, p. 2By:Laird, PaulPublication type:Article